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Watch a talk explain perfectly why humans make music with technology

Why do you make music? You make music because you feel something – and you found it because you felt something. And what’s the point of music technology? It’s to put us in that space, to give us access to those feelings, and then to translate them to others. That’s the message in a TEDx video from Perth, Australia, by stellar electronic one-human performer Claudio. And she puts it perfectly, in a way that perhaps people who love music but haven’t become full-time musicians can fully understand. So she walks through her performance rig – if you’re reading this site, …

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DU-VHS = what TV would be if it were glitchy, nerdy, and underground

Our friends at the hypergeeky, futuristic Detroit Underground have built an app. And it’s full of videos, layered in a VHS-style retro video interface. DU-VHS is available now for iOS (iPad and iPhone both), and as a Web app accessible through any browser, all for free. Step inside, and you’re treated to an explosion of electronic sound and image – burbling, bleeping hyperactive musical textures, and degraded retro-videocorder lo-fi renditions of videos. There are music videos, loads of live performances, and even interviews and synthesizer odds and ends. It’s the work of designer Jean Christophe Naour. If you’re wondering why …

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maschineupdate

This video show you how Maschine maps to external MIDI gear

There are some questions about just how Maschine 2.6 works with MIDI gear after our story yesterday. Well, the fine folks at ADSR tutorials have gone and made a really clear, step-by-step walkthrough – and they even chose our very own fire engine-red MeeBlip triode to use as a demo. (That’s an easy choice, as the parameter assignments are pretty straightforward.) Have a look: Integrating MIDI brings a number of benefits: 1. Control gear right from your Maschine hardware, if you choose. 2. Easily record and playback automation and performance states. 3. Add randomization, draw in automation, and more. 4. …

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Image: Licht Pfad.

TouchDesigner 099 does everything with live visuals – now on Mac, too

It makes things look prettier, with something called “physically based rendering.” It has crazy compositing and capture powers. It’s networked with Web support, talks to DMX gear, and intelligently handles all your MIDI gadgets and capture cards and everything else. It handles VR with HTC Vive. And that’s just a few examples of what is new or improved in version 099. TouchDesigner is a name you’ll see coming up regularly mentioned in projects. It’s an all-encompassing visual development environment, using a patching (or “dataflow”) metaphor, like Pd, Max/MSP/Jitter, vvvv, and others. That interface is one of the best looking zoomable …

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The new MPCs in videos, including how those clips work

Following Akai’s announcement of the new standalone MPC models – MPC X and MPC Live – they’ve also released some videos. Sound on Sound has a walkthrough: And there’s the requisite promo film from Akai: It’s important to note that adding standalone mode here doesn’t mean taking away anything from the computer/hardware combo. The software on the standalone MPCs is identical to what was previously available via the controller — even besting it, thanks to the MPC 2.0 software launch. Plugged into your computer, you get all the advantages you’re used to. You can add plug-ins, control MIDI on the …

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gabrielananda

A strikingly honest interview about music and happiness

Does great music come from pain, or should happiness and caring for yourself come first? We don’t talk about that a lot in music. Indeed, from music gear news to dance music lifestyle publications, we peddle fantasies of success. We do that even when it’s clear most of our audience – most of us – will never have that sort of success. But even more so, there’s little consideration of whether that actually makes anyone happy. So I find this interview strikingly refreshing and encouraging. It’s from the documentary collective Blitzkickers, who have a knack for going past the usual …

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0-coast

Two videos show why the Make Noise 0-COAST modular is cool

2016 was the year when people said, hey, I want to get in on some of that modular goodness, but … maybe I don’t want to buy a rack and spend thousands of dollars to do that. So it’s great to finally see desktop semi-modular becoming a thing – and an affordable thing at that. There’s the best note entrant, Moog’s excellent Mother 32. But I also like the much odder, but still affordable Make Noise 0-COAST (that’s a zero, not the letter o). It’s got a far more idiosyncratic front panel, but that shouldn’t put you off: it’s still …

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rolandmeeblip

We added MeeBlip to TB-03 and TR-09 for really too much bass

You can now really have a ridiculous amount of fun playing live without a ridiculous amount of gear. That’s certainly the sense I get with Roland’s Boutique series, among other recent entries. In just a fraction of the size of the original AIRA, you can add a synth, a bassline, or a drum machine. And it’s not just Roland. In the under-$500 category, there’s loads of desktop gear from Korg, Waldorf, MFB, Novation, and Arturia, plus even compact modular/semi-modulars like the Make Noise O-Coast and Moog Mother-32. It’s all affordable, and all really easy to port around. What I like …

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accordioning

This group of practitioners is imagining the future of the accordion

I can see that look in your eyes. That thirst. “Please, Peter, regale us with esoteric information about contemporary accordion playing technique.” Absolutely. Let’s do this. You see, for all the extremist ideologies social media and the Internet are amplifying, well, at least experimental accordion practitioners are finding each other, too. And maybe it’s worth listening to them. The keyboard is dominant now in electronic music, after all. And they make keyboard-based music sound different. For instance, there’s this beautiful work by Martin Lohse and Bjarke Mogensen, “Passing 1,” set to Hubble imagery: And one 2013 gathering pulled artists and …

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Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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