mpclive-large

The new MPCs in videos, including how those clips work

Following Akai’s announcement of the new standalone MPC models – MPC X and MPC Live – they’ve also released some videos. Sound on Sound has a walkthrough: And there’s the requisite promo film from Akai: It’s important to note that adding standalone mode here doesn’t mean taking away anything from the computer/hardware combo. The software on the standalone MPCs is identical to what was previously available via the controller — even besting it, thanks to the MPC 2.0 software launch. Plugged into your computer, you get all the advantages you’re used to. You can add plug-ins, control MIDI on the …

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gabrielananda

A strikingly honest interview about music and happiness

Does great music come from pain, or should happiness and caring for yourself come first? We don’t talk about that a lot in music. Indeed, from music gear news to dance music lifestyle publications, we peddle fantasies of success. We do that even when it’s clear most of our audience – most of us – will never have that sort of success. But even more so, there’s little consideration of whether that actually makes anyone happy. So I find this interview strikingly refreshing and encouraging. It’s from the documentary collective Blitzkickers, who have a knack for going past the usual …

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0-coast

Two videos show why the Make Noise 0-COAST modular is cool

2016 was the year when people said, hey, I want to get in on some of that modular goodness, but … maybe I don’t want to buy a rack and spend thousands of dollars to do that. So it’s great to finally see desktop semi-modular becoming a thing – and an affordable thing at that. There’s the best note entrant, Moog’s excellent Mother 32. But I also like the much odder, but still affordable Make Noise 0-COAST (that’s a zero, not the letter o). It’s got a far more idiosyncratic front panel, but that shouldn’t put you off: it’s still …

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rolandmeeblip

We added MeeBlip to TB-03 and TR-09 for really too much bass

You can now really have a ridiculous amount of fun playing live without a ridiculous amount of gear. That’s certainly the sense I get with Roland’s Boutique series, among other recent entries. In just a fraction of the size of the original AIRA, you can add a synth, a bassline, or a drum machine. And it’s not just Roland. In the under-$500 category, there’s loads of desktop gear from Korg, Waldorf, MFB, Novation, and Arturia, plus even compact modular/semi-modulars like the Make Noise O-Coast and Moog Mother-32. It’s all affordable, and all really easy to port around. What I like …

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accordioning

This group of practitioners is imagining the future of the accordion

I can see that look in your eyes. That thirst. “Please, Peter, regale us with esoteric information about contemporary accordion playing technique.” Absolutely. Let’s do this. You see, for all the extremist ideologies social media and the Internet are amplifying, well, at least experimental accordion practitioners are finding each other, too. And maybe it’s worth listening to them. The keyboard is dominant now in electronic music, after all. And they make keyboard-based music sound different. For instance, there’s this beautiful work by Martin Lohse and Bjarke Mogensen, “Passing 1,” set to Hubble imagery: And one 2013 gathering pulled artists and …

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Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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pauline_newyorker1

Pauline Oliveros, who transformed how we listen and think

This year continues a stunning series of losses of some of the most important pioneers in electronic music. But of all those, Pauline Oliveros is without peer – an innovator in the art of listening itself. And we’ve learned she’s died at the age of 84. No one else in music has a resume like hers. She was capable of turning the accordion into an avant garde electronic instrument. She had a black belt in karate. She was one of the original members of the San Francisco Tape Center, a defining figure in the entire west coast electronic scene. She …

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triodeunboxing

Watch an amazing unboxing and jam with MeeBlip triode

Working in the synth business is basically one of the most fun things you can do. So in addition to the pleasure of getting reports from owners, we wake to total surprises like this video from Olivier Ozoux, who has made a terrific stop motion unboxing video and live jam with the synth. MeeBlip joins the Korg electribe sampler and Squarp Pyramid sequencer for a rather fine all-hardware setup. You watch the triode emerge from its box, where it’s been hand-packed by MeeBlip creator James Grahame, then dive into the jam. (He manages to make the resonance sound like an …

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We’ve started a record label – here’s the first release

I’m lucky to be part of a community of people who both make things and share things, who learn by doing but also learn by teaching. CDM is of course about creating music as it is about creating tools for music. So, this year I’m extending what we do to sharing music. We live in an age of growing populations of music producers and expanding access to more music than ever before. Running something like a record label thus becomes even more insane — if also more essential. So just as I understand how a DAW or DJ app works …

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