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Raindrops inspire mesmerizing video by Max Cooper, Maxime Causeret

It’s good to be Max Cooper. The artist’s richly crafted sound designs are paired now with a series of music videos commissioned by motion designers. And the most mesmerizing of these is the stunning creation by Maxime Causeret. Driven by the organic sounds of recorded rain, spun into percussion, Causeret’s animations follow emergent systems of colored particles as they merge and swim across the screen. I could say more, but … Max sort of says it all. Here: I’m really excited about this video project, after the first live show it was the part that everyone was asking about – …

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A Richard Devine soundscape from a crazy modular nest

Richard Devine’s Vimeo account is something special. It’s certainly partly theater – there’s something entirely alien about seeing a nest of gear, tangled in cables and blinking, as if modules have achieved sentience and starting interconnecting themselves. But behind that facade of nerdy chaos is some real thought about how to make sounds by creating unexpected combinations of signal processors. It’s something I’ve been discussing with a lot of people lately – this interplay between stability and instability, automaton and entropy.

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Watch a full-length electronic documentary from the 90s, and more free videos

America’s on-again, off-again love affair with electronic music – often, with idioms it helped create – is endlessly full of unexpected twists and turns. But all this bears examining. For some, it’s a journey back to the music that first inspired them. For others, it’s a chance to learn, perhaps, how where music has been might help lead to where it’s going. It’s a chance not just to repeat electronic music past, but go beyond it. And if you’re looking for something to entertain you this weekend, you could do worse than Modulations, a documentary from 1998. Back then, it …

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IDOW Gear 6 (Eurorack)

I Dream of Wires Doc Gets Premiere; Here are Pics and Facts

The modular synthesizer, that wild animal covered in wires, has seen its once-endangered populations flourish and its revival in full swing. And now, it has its own movie. Some years now in anticipation, and with limited screenings here and there at film festivals, I Dream of Wires gets a wide release. The film is surely a landmark, but the launch is likely to be, too, bringing one of the modular synth’s greatest composers (Morton Subotnick) back to Berlin, Germany for a gala release performance, joined by video artist Lillevan. Mr. Subotnick is a rare figure, having made an impact not …

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Gorgeous Beats from Philly’s NO SIR E, Ode to monome Love [Live Set, Sounds]

Faptronica? Trapmetal? Glitchfap? Fapdance? Genre labels make a fun muddle of things for Philadelphia’s NO SIR E. But his music is perfect for this time of the Northern Hemisphere’s summer, that feeling of diving out of a sweltering heat into the water. It’s refreshing, with the dirty, muddy bits in the bottom you’d want to stick your toes into. And then it glitches in satisfying distortion, a motorboat or jetski racing across the smoo… I’m sorry. It’s hard to write in the summer. (Or … well, you can Google what “fap” means, but that’s a bit less … musical in …

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Crisp Beats from Iceland’s Magnoose, Free to Download, with Videos

Is anyone in Iceland not a musician/producer? Given the island nation has an absurdly-tiny population, there must be some explanation that so much music pours out. Well, we’re going back there again. This weekend’s selection is the lovely music of Magnoose, aka Magnus Skarp of Reykjavik. This little-known producer is putting out some really fine-quality music, in the form of clean, chilly-cool grooves. He labels these “dubstep,” and the tilt is there. But while there are some broken beat influences, the overwhelming impression is of pristine, perfectly-designed percussion, crystal-clear in the uncluttered foreground. Given the tendency of many emerging producers …

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A Bandcamp-Only Label of the Future? Australia’s Enig’matik Records and the Art of Detail

Artists and labels alike search for a sound and a business model that can flourish in this brave, new age in music. Against that struggle, Oz’s Enig’matik is something special. We’ve got more coming with this crew, but first, CDM’s Matt Earp takes an look inside what makes this record label work with its founder, in a way I think may resonate with other independent outlets and creators. And, oh yeah: true to form, Matt goes a bit deeper to chart the larger trends here, and a post-Tipper musical landscape. What’s that mean? I’ll let him explain. -PK It’s been …

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A Haunting Chilean Single, Accompanied by Found Sound Videos [Listening + Vimeo]

In their lonely, intimate single “Pillatu,” the Chile-based duo of Vicente Espinoza and Alfredo Duarte offer some haunting music-making. Entitled El Gato, la Virgen & el Diablo (“the cat, the virgin, and the devil”), the artists are also making a kind of multimedia presentation of the work. Thanks to these CDM readers for sending in their work. Fire up the SoundCloud-based music, and you can play a series of video loops in a grid that sits alongside the music. It’s a nice window into their sonic world, with short video clips of sounds from bicycles to Korg Monotron. In fact, …

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New Vimeo is Here, and It’s Brilliant; Creative Commons Visualist Community, Anyone?

You’ve likely already seen it, but now that we’ve had some days to adjust and it’s rolled out to everyone, it’s worth noting that the new Vimeo is simply awesome. (It’s available to all, though you do have to opt in, which I recommend.) I don’t want to get carried away with fanboyism, but to me, Vimeo has become the content production, content distribution, and creative portfolio to beat – even as YouTube firmly entrenches itself as the “just go viral” platform for everybody else. While some other rivals have stumbled around trying a new formula, Vimeo has waited patiently …

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New Vimeo is Here, and It's Brilliant; Creative Commons Visualist Community, Anyone?

You’ve likely already seen it, but now that we’ve had some days to adjust and it’s rolled out to everyone, it’s worth noting that the new Vimeo is simply awesome. (It’s available to all, though you do have to opt in, which I recommend.) I don’t want to get carried away with fanboyism, but to me, Vimeo has become the content production, content distribution, and creative portfolio to beat – even as YouTube firmly entrenches itself as the “just go viral” platform for everybody else. While some other rivals have stumbled around trying a new formula, Vimeo has waited patiently …

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