Twitter has been (rightfully, in many cases) maligned as a distraction, but at times the “microblog” can keep us connected in smaller bits of time, not larger. People read while something is rendering, when they feel a bit lonely or distracted to begin with (a bit like taking work to a virtual coffee shop), while […]Read more
Film/TV composers have a particular interest here on CDM in that they tend to think creatively about style, instrumentation, and sound in their work and have to meld one technology (music) with another (film). It’s Friday night, so having resisted this long, I can no longer avoid mentioning Galactica. Composer Bear McCreary, who has scored […]
Amplifying violins — and processing them with bizarre Max/MSP patches using mics and pickups and gyroscope bows — is no longer a major challenge. But it wasn’t always so. Early recordings of violins faced the challenge of the fragile sound of the instrument. Builders like John Matthias Augustus Stroh devised a primitive but effective solution: […]
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