Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making […]
For years, drummers have had to look sideways at drum machines — boxes with step sequencers blinking, out to replace them. With acts like The Age of Glass, tables are turned. The sounds are electronic (Access Virus, Machinedrum), but the playing is all live. Drummer Nick Froud plays all those parts without any sequencing, fingers […]
Will Richard Devine unleash his blazing fury once again at NAMM this year as he did with the Neko keyboard, or will he physically keep his cool but unveil his own brand of auditory destruction instead? Come to the CDM Unofficial Afterparty in Los Angeles and find out! Show up at 8pm to Bassworks and […]
Reader Julian Sitkevich sends in some photos from the last NAMM. He proves just how dreamy the Buchla 200e can look in the dark; okay, I’m not any more tempted to shell out $20,000, but nonetheless. After the jump: the key to making soft synths look sexy is to add an Apple Cinema Display.
The line between hardware and software is still, let’s face it, confusing and inconvenient. On one hand, you’ve got your hardware control surface keyboards that work well with software, but without booting your software they don’t make any sound. Worse, you often have to manually assign knobs and faders to your software synth. On the […]