Your Belgrade Underground Connection: See and Hear Experimental Dance Music

From the beating heart of Europe, audiovisual electronic instrumentalism continues to thrive. We’re fortunate to bring a slice of that scene to you. CDM is in Belgrade, Serbia this week, where we’re pleased to host an event celebrating real-time visual expression. And we get to do it in one of the best underground venues in the city, Drugstore. Event details, for any of you here in the neighborhood: Drugstore, 17 January 23h We’ll start out with a workshop on making architectural space dynamic with interactive/generative sound and imagery, hosted by myself and Abduct. (More on that topic here and on …

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Dancer to Score to Animation: Coding, Decoding, and Recoding in a Choreography Lab

When it comes to dance technology, it isn’t enough to team dazzling engineers with dancers. Making digital technology meaningful to those steeped in the craft of dance means artists getting their hands dirty. Dance has a history in experimental exploration, from Merce Cunningham’s pioneering work with the LifeForms software (directly in his choreography) to digital dance hybrids created by the likes of Troika Ranch (Dawn Stoppiello/Mark Coniglio). The Motion Bank and Frankfurt, Germany could be the scene for dance tech’s next act. Choreographer William Forsythe launched a four-year project in Frankfurt am Main to collect data using Microsoft’s Kinect. The …

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From Song to 3D Model to Augmented App: Visualizing Oneohtrix Point Never

One reason to use code, and the constellation of open source creative coding libraries, is the ability to express ideas across media. HoloDecks is a beautiful experiment in doing just that. The work translates invisible sound to three-dimensional form, and combines visualization in the physical and virtual domains. HoloDecks goes through multiple phases of expression, built entirely in the multi-platform, free and open source OpenFrameworks. Analysis of the song. First, there is a spectral analysis of the selected tune – in this example, it’s “Zebra,” by Oneohtrix Point Never. Virtual three-dimensional visualization. Next, the spectral data is plotted in a …

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Jack_A_Paris

Techno as Science: Nicolas Bougaïeff Explains Max for Live, Meta-Music, Steve Reich [Video, Theory]

Got a doctorate? Got a doctorate in techno? Got a techno track with a 12-tone row? Artist and researcher Nicolas Bougaïeff (also of developer Liine) shares his latest work with CDM. It’s about the track, yes, about the music video, about techno and dancefloors in some sense. But it’s also about process: Nicolas shares some of the way the machinery of his track was built, in its realization in software, in musical composition, and underlying research. And we also get a terrific music video that helps render some of this geometric theoretical thinking, courtesy Berlin-based motion graphics artist Vicetto. (See …

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Grid Tricks: Make Ableton Push Display Meters, Pulsing Heart – Without Max for Live

Ableton’s Push, like other colored, light-up grids, may sometimes seem like just a big, flashy Lite-Brite. So – heck, why not use it that way and have a good time? Tama Rhodes writes us to let us know about a project that exploits the shiny colors to visualize live sound data. The results are screaming for a live performance in which the Push is tilted toward the audience as you play, a technique Daedelus has long used with the monome. What’s doubly impressive – and why you should download this to learn from it even if you don’t want to …

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Automated Time: Vezer Meets CoGe in Dynamic Visual Composition [Reader Video Demo]

Vezer vs CoGe circuit bended MIDI from vargasz abolcs on Vimeo. Last week, we saw Vezér, an application for visual control with an elegant timeline interface. We asked what you were doing it – and here’s one example. Creator Vargasz Abolcs calls it “MIDI circuit bending.” The notion: use control messages to make visual events more dynamic and organic. And the results: dizzying moving objects onscreen. Description: Vezer triggers automations in CoGe this button sends back to Vezer ch1/1 note, trigs Rec in the empty composition where dynamically limited automations received from CoGe (MIDI cc) than played back values appears …

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Raster-Noton Gems, with Alva Noto, Ryuichi Sakamoto, Emptyset, Aoki Takamasa [Videos]

What’s remarkable about German music label Raster-Noton is not simply its staying power. Rather, it’s the way the aesthetic direction of the label, across visual and sonic media, has remained on course — and how that vision is just as relevant today. The label, founded in the far southeastern German town of Chemnitz by Carsten Nicolai und Olaf Bender, has a stable of artists united by a sense of common interests. That aesthetic is often visual as well as musical; you get the impression that the music is designed as much as produced. Carsten Nicolai, for his part, has become …

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Ableton Live to Lights: Hacking Max for Live to an LED Wall For a Brilliant Display

I like Drums. And Bass. from DJ Autom8 on Vimeo. Finally, laptop music need no longer be lit by some bad club lights and the glow of your MacBook display. Things are getting really interesting. Just ask Jonathan Thompson, a student who hacked Max for Live into an LED wall and got a blindingly-bright display grooving with the music. He writes: I absolutely love your site, and I have always wanted to contribute, but never have felt I had anything good enough to share with others. Well, I finally created something that I think others would enjoy. I am a …

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thoughtless77

Loss for Words: Noah Pred’s Stuttering Vocal Beats, in Video, Release of the Day

From a completely different musical pole, it’s nice to follow up Jelena Glazova’s thoughts about vocals, poetry, and Dada with a dance track, Noah Pred’s “Loss for Words.” Transplanted from Toronto to Berlin, Thoughtless Music’s Noah Pred has helmed one of the smarter dance labels out there, channeling energies to and from the German capital and Canadian scene (Noah himself is American-born). Now, he’s back with a solo release I’ve been eagerly anticipating, having taken a side trip to Get Physical for the False Image project with Tom Clark. Tim Xavier and Hrdvsion join, two other friends to watch, join. …

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Gantz Graf, the Max for Live Plug-in: Reactive-Visualizing Your Tracks

Hang about. I may have given away the punchline in the headline, and now there’s not much more to say. “Hey, is there a plug-in out there that I can just switch on and visualize music with?” I can’t count the number of times I get asked this. That could make the following a very popular download, indeed. Animator Alex Rutterford’s original Gantz Graf video, interestingly, was not reacting to audio. But generative technique has moved on since then, so aping the style of the visuals in a patch makes some sense. The results aren’t perfect, but they do demonstrate …

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