Inner8_KirilBikov

Outside dance music, systems of contemplation with Inner8, sYn

Daniele Antezza and Federico Nitti are seated in a patch of grass in the park, lost in reflection like giddy monks. The conversation turns to archaic geometries from lost civilizations, then to how to let loose unstable configurations of sound, then how to sweep away a party crowd in the whole experience. But, perhaps true to his Mediterranean roots, Daniele’s favorite English word for describing the elements of his work is “taste.” Inner8 is the project for people whose flavor palette turns to the experimental. Daniele is known to techno fans for his collaboration Dadub with Giovanni Conti. That act …

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This 3D Oscilloscope Drawing Music Might Make Your Brain Fall Out

You’ve seen oscilloscopes. You’ve heard sounds. You’ve seen oscilloscopes make visual representations of those sounds. You’ve maybe seen oscilloscopes used to make drawings while making sounds. And of course you’ve seen 3D models. But you probably haven’t seen oscilloscopes used to draw 3D models that make sounds while the sounds match the oscilloscopes in a 3D sound visual extravaganza … which then becomes an entire album with software that goes with the album so you can also use the oscilloscopes to draw 3D models to make sounds. Say what? Okay, let’s put it another way. Imagine an Etch-a-Sketch and a …

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Add Visuals to Ableton Live with One Device, and Other Neat Tricks

Isotonik Showcase – Part ONE from Isotonik Studios on Vimeo. Music software can treat devices as melodic instruments, as percussion, as audio effects… so why not visuals, too? Of course, there’s no substitute for a dedicated visual artist / VJ in a set, but Brainwash HD at least gives you the tools to integrate performance visuals as an element of a set in Ableton Live. It’s the visual equivalent of the sound modules we’ve been looking at lately. And Brainwash is just one of a number of clever little Max for Live modules from Isotonik Studios, as seen in the …

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unrender: Finding Space Between Gallery and Club [Videos]

There is a well-known divide between visuals as they exist in experimental media and live performance and media in the art world. Transitory electronic media fails to fit the traditional mold of value. Digital media is too ephemeral, too temporary. Light on walls can’t be collected; improvised visual performance is something that fades away. With unrender, we want to embrace just those gaps between worlds, walking along the fractures. We are looking to find the expressive potential of electronic audiovisual media as distinct from what came before. And most importantly, we want to make sure there’s space for all these …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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Coding the Club: How the Sensory Experience of Electronic Music Could Expand [Video]

Coded Matter(s) #5: Coding the Club from FIBER on Vimeo. For so much of the world, the club experience is nothing if not predictable. The sound, the aesthetic, the entire evening fit to a predictable mold. But drawing upon decades of work in experimental audiovisual performance, a new generation of sound and light artists are applying today’s tools to build live creations that can transcend all of that, that appeal directly to the senses and transform the architecture of the musical environment. One highlight for me this year was the chance to moderate an installment in March of Fiber Festival’s …

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Data Privacy, The Terrifying 3D Animated Movie by Beeple [+VJ Clips]

Can shiny, rotating 3D eye candy have a message? They can if they’re in the masterful hands of motion graphics / visualist wizard Beeple, aka Mike Winkelmann. His latest short is retina-singeing, brain-stimulating imagination of the issue of transparency and data privacy, in the age of Snowden and the NSA, targeted Facebook ads, Foursquare check-ins, and Google Glass. And it works not simply because it’s impressive animation, but because that impressive animation reminds us that the science fiction universe we imagined is around us now – a Ghost in the Machine, Serial Experiments Lain, cyberpunk universe that can be utopian …

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Automated Time: Vezer Meets CoGe in Dynamic Visual Composition [Reader Video Demo]

Vezer vs CoGe circuit bended MIDI from vargasz abolcs on Vimeo. Last week, we saw VezĂ©r, an application for visual control with an elegant timeline interface. We asked what you were doing it – and here’s one example. Creator Vargasz Abolcs calls it “MIDI circuit bending.” The notion: use control messages to make visual events more dynamic and organic. And the results: dizzying moving objects onscreen. Description: Vezer triggers automations in CoGe this button sends back to Vezer ch1/1 note, trigs Rec in the empty composition where dynamically limited automations received from CoGe (MIDI cc) than played back values appears …

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Remote-Controlled Micro Projector in Fog: Pfadfinderei + Moderat

Today, we review the new Moderat LP, II, on Create Digital Music. Teaming up with fellow Berlin-based visual collective Pfadfinderei — that ubiquitous boutique of electronic visualism — Moderat devised a unique way to tease the album. They allowed Web visitors to remote-control a micro projector online. There’s a sense of musical fog in the album – whether that’s your taste or not being another matter. (I notice now, having written my words on the matter, the word “fog” comes up a lot in reviews – and I wonder if the visuals actually influenced that!) Projecting into fog, though, looks …

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Bhoreal Makes Grids Color, Open, Controls Robots and Lasers; Final Hours of Funding

BHOREAL gets ready from MID New Media Design on Vimeo. It’s been almost a decade since the monome first began making appearances. Now, grids are everywhere – and that raises the question, where will the next innovation come from? What’s exciting about Bhoreal is that, far from simply cloning the monome, it realizes potential frontiers that the original monome couldn’t. And as Bhoreal reaches the final hours of crowd funding, the last chance to be first in line for the first hardware, it’s performing a lot of tricks to show off. Think lasers and robots. See the video at top …

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