Automated Time: Vezer Meets CoGe in Dynamic Visual Composition [Reader Video Demo]

Vezer vs CoGe circuit bended MIDI from vargasz abolcs on Vimeo. Last week, we saw Vezér, an application for visual control with an elegant timeline interface. We asked what you were doing it – and here’s one example. Creator Vargasz Abolcs calls it “MIDI circuit bending.” The notion: use control messages to make visual events more dynamic and organic. And the results: dizzying moving objects onscreen. Description: Vezer triggers automations in CoGe this button sends back to Vezer ch1/1 note, trigs Rec in the empty composition where dynamically limited automations received from CoGe (MIDI cc) than played back values appears …

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Remote-Controlled Micro Projector in Fog: Pfadfinderei + Moderat

Today, we review the new Moderat LP, II, on Create Digital Music. Teaming up with fellow Berlin-based visual collective Pfadfinderei — that ubiquitous boutique of electronic visualism — Moderat devised a unique way to tease the album. They allowed Web visitors to remote-control a micro projector online. There’s a sense of musical fog in the album – whether that’s your taste or not being another matter. (I notice now, having written my words on the matter, the word “fog” comes up a lot in reviews – and I wonder if the visuals actually influenced that!) Projecting into fog, though, looks …

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Bhoreal Makes Grids Color, Open, Controls Robots and Lasers; Final Hours of Funding

BHOREAL gets ready from MID New Media Design on Vimeo. It’s been almost a decade since the monome first began making appearances. Now, grids are everywhere – and that raises the question, where will the next innovation come from? What’s exciting about Bhoreal is that, far from simply cloning the monome, it realizes potential frontiers that the original monome couldn’t. And as Bhoreal reaches the final hours of crowd funding, the last chance to be first in line for the first hardware, it’s performing a lot of tricks to show off. Think lasers and robots. See the video at top …

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Bhoreal Grid Controller Could Be Perfect for Visuals; Final Hours of Funding

A color grid you can carry in one hand, with physical controls and full RGB – and the option of wireless and batteries, so you can walk around while adjusting lights or projection? Oh, and it’s modifiable, available fully made or as a kit, and completely open source hardware? Yeah, that sounds about perfect. On Create Digital Music, I describe my visit to Barcelona and a look at the Bhoreal project’s progress, as it wraps up its crowdfunding campaign: Bhoreal Makes Grids Color, Open, Controls Robots and Lasers; Final Hours of Funding But what struck me is how useful the …

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Processing 2.0 Arrives; Where to Get Started Upgrading Your Creative Coding

It’s been a long time coming, but Processing this week has reached 2.0, a major landmark release. For graphics, video, data, and usability, it’s a big leap forward. The big story here is that the creative coding tool is both faster and simpler. An OpenGL engine, built by GLGraphics developer Andres Colubri, now powers everything. That makes extraordinary feats of graphic wonder possible (with shaders and the like), but it also irons out frustrating inconsistencies between renderers. The narrative is similar for video. Andres Colubri’s GSVideo library handles the video work, with high-performance HD (and function with the shaders) for …

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From Spain, Abstract, Ambient Mix and Transcendent Images [Listen, Gallery]

If your ears and spirit need an ambient reboot, you could do worse than this gorgeous, abstract wash of sound pieced together from two wonderful Spanish artists. From bzzzbip, aka multimedia artist Antònia Folguera, and about:blank!, a photographer/filmmaker/artist, comes this project in sonic exchange. Antònia writes: About:Blank! and I exchanged songs via email and dropbox in order to put together an abstract ambient mixtape. When we were done with the selection I mixed the first half, and he did the other half. If it were an actual mixtape that would be side A and side B. this is the result. …

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Behind the Veil: Reznor's How To Destroy Angels Makes Poetry in Light

Amidst a forest of illuminated tubing, the band How to Destroy Angels (with Trent Reznor, Atticus Ross, Mariqueen Maandig, and visualist/art director Rob Sheridan) take to the stage in an abstract digital structure. The stage image is transcendent, a rectangular prism of shifting digital visuals and projected effects. Perhaps it’s best to run this by the specs: 16 ft. tall (nearly 5m) curtain of surgical tubing Front projection: standard projector Back image: LED (another 16 feet / 5m worth) Livid Instruments CNTRL:R MIDI controller – two of them, in fact, Livid confirms Additional control from an iPad mini running Liine’s …

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Behind the Veil: Reznor’s How To Destroy Angels Makes Poetry in Light

Amidst a forest of illuminated tubing, the band How to Destroy Angels (with Trent Reznor, Atticus Ross, Mariqueen Maandig, and visualist/art director Rob Sheridan) take to the stage in an abstract digital structure. The stage image is transcendent, a rectangular prism of shifting digital visuals and projected effects. Perhaps it’s best to run this by the specs: 16 ft. tall (nearly 5m) curtain of surgical tubing Front projection: standard projector Back image: LED (another 16 feet / 5m worth) Livid Instruments CNTRL:R MIDI controller – two of them, in fact, Livid confirms Additional control from an iPad mini running Liine’s …

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In Boston, a VJ Competition, and a Glimpse Inside the Live Visual Scene

Along with New York, Boston was really my introduction to what was happening in live visuals and VJing. So, I already took interest when a couple of friends sent word of a VJ competition in Boston. Then, of course, things in that city turned very strange indeed. The festival “Together,” scheduled in May, couldn’t have a better title – we’re thinking of you. So, Northeast USA, I absolutely am pleased to alert you to this competition; I hope we get some CDM readers in it. And for the rest of us around the world, here’s a look at what a …

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Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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