Andrew Quinn / Nikolay Popov AV performance.

How one community was mapping the future of visuals this summer

There’s a shift on in the worldwide community of visualists, of the growing field of people using electronic visuals as a medium for performance, art, and inquiry. As these media become more mature and more international, there’s a renewed sense of closeness among practitioners. While big media festivals focus on novelty and show, these maker-to-maker events emphasize something else: craft. This summer seemed a particularly historic moment for not one but two tools – each of them built by small teams who make art themselves. We already covered the Berlin gathering for Isadora, the visual performance tool that has rich …

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Isadora 2.5, new chapter for creativity server, 3D shaders

In the landscape of live visual tools, Isadora is something special. Despite being known mostly in certain circles – its name itself is a nod to the world of dance (Isadora Duncan) – it’s uniquely adept in those worlds. When it comes to mixing live visuals and interactivity with modern dance and theater, for instance, Isadora (now on both Mac and Windows) is essential. Why Isadora I always had special admiration for Isadora, and its creator, Mark Coniglio. In fact, his was one of the first computer performance tools I ever saw – his original project, called Interactor. I was …

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From "Grid Index," Carsten Nicolai catalog, raster-noton.

raster-noton founders on how they found visual inspiration

Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as the label has expanded in its musical scope in recent years, it has retained a sense that aesthetics themselves matter, that its artist roster are capable of painting with sound and exposing the process of using technology. Understanding where that comes from visually is key …

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This is a glimpse of what virtual reality could do for DJing

Virtual reality is suddenly a high-profile topic everywhere, from Facebook to gaming. And while such ideas have been around as long as computer graphics, consumer tech is finally catching up with the vision. Here’s the thing: now as we move from sci-fi to reality, it’s not totally clear what this tech is for. Sure, it’s fun for immersive games, but beyond that? One way to find out: try it yourself. Benjamin S. Hopkins writes us having done just that. This is definitely a hack – a proof of concept experiment to see what might be possible. But what’s clever about …

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Teenage Engineering has an OP-Z prototype, and it’s awesome

“Surprise!” might well be Teenage Engineering’s best tagline. The latest unexpected invention from Sweden is the OP-Z – pronounced “oh pee zed.” It’s an all-in-one instrument/groovebox like its predecessor the OP-1, packed into a tiny, game-like form factor. And even from the early prototype shown at NAMM, it’s fantastic.

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RYAT's production setup.

In LA, looking to what new tech means for music makers

This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.

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djay Pro could be the iPad Pro’s first killer music and VJ app

Tablets and laptops, cars and trucks, iPads and MacBooks and Surface and things that have “Pro” at the end of them and don’t… enough. Let’s ask a simpler question. What would be a music app that would make you want an iPad Pro? Well, the first potential answer is djay Pro. It’s a new version of a disruptive DJ app, for starters – that will be of interest to anyone with an iPad. But it also includes a design that’s tailored to the new powers Apple has added to the iPad Pro. And whether you want either Apple’s tablet or …

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Outside dance music, systems of contemplation with Inner8, sYn

Daniele Antezza and Federico Nitti are seated in a patch of grass in the park, lost in reflection like giddy monks. The conversation turns to archaic geometries from lost civilizations, then to how to let loose unstable configurations of sound, then how to sweep away a party crowd in the whole experience. But, perhaps true to his Mediterranean roots, Daniele’s favorite English word for describing the elements of his work is “taste.” Inner8 is the project for people whose flavor palette turns to the experimental. Daniele is known to techno fans for his collaboration Dadub with Giovanni Conti. That act …

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djay Pro Video Mode Screenshot

djay Pro Now Works with CDJs, Adds 320k Spotify Streaming, VJ Tools

If you thought you could safely dismiss Algoriddim’s djay as some entry-level player, something for non-serious users, you might change your mind. And that could also cause Spotify to make a bigger splash with DJing. The company has a few surprise announcements today.

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Add Visuals to Ableton Live with One Device, and Other Neat Tricks

Isotonik Showcase – Part ONE from Isotonik Studios on Vimeo. Music software can treat devices as melodic instruments, as percussion, as audio effects… so why not visuals, too? Of course, there’s no substitute for a dedicated visual artist / VJ in a set, but Brainwash HD at least gives you the tools to integrate performance visuals as an element of a set in Ableton Live. It’s the visual equivalent of the sound modules we’ve been looking at lately. And Brainwash is just one of a number of clever little Max for Live modules from Isotonik Studios, as seen in the …

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