iZotope’s Dynamic Delay is free – and wonderful

iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.


Here are ten reasons Reaper 5 upgrade will make users happy

Reaper 5 is out today. It’s the compact, tight, powerful music and audio production software whose users would like to know why more of you aren’t talking about it. And they have a point. Reaper 5 is US$60 with a bunch of included free upgrades, or a voluntary $225 for “commercial” use. Even the demo runs a full 60 days with no restrictions. Yet Reaper does a lot of things other DAWs don’t – even some of the priciest out there – in a compact tool that has exhaustive hardware and OS support, plus complete scripting. Now, what Reaper 5 …


Tell Us About Yourself For a Chance at $2500 in Free Brainworx Plug-ins

CDM quietly turned ten years old last year. And that means it’s time to get a fresh picture of who you are. We need to know who’s reading, what you do, what you want to see on the site, and what devices we need to target. So, we’ll ask a couple of short questions – it’ll just take you about two minutes to fill out. And you can sign up for something new called CDM List, to stay informed via email and get free stuff and deals: We also want to give you a chance to get a big reward …


Add a Free Softube Saturation Knob, Anywhere: Plug-in for Mac, Windows, or Reason

The Christmas gifts keep coming. On top of an excellent free NI delay, a free clap plug-in, and a free retro-inspired Max for Live drum machine, now you can add a free saturation effect – anywhere. Softube are making, simply put, some of the best amp and saturation models anywhere. I’m routinely using their stuff, as I’m sure many of you are, in Ableton and Propellerhead releases on top of dedicated Universal Audio UAD plug-ins. But having the convenience of a single saturation effect, with adjustable parameters, means you can create custom effect chains quickly. Toss some saturation on just …


Meet Bazille, the Obscenely-Massive Monster Modular Synth Plug-in from u-he

Simple, lightweight, minimal. No, not really. This is a total monster, the grandest synth yet from plug-in maestro Urs Heckmann, aka u-he. ACE, aka “Any Cable Everywhere,” already introduced us to computer plug-ins with massive tangles of virtual cables – in a good way. Bazille, then, is the plug-in that ate the plug-in that ate Chicago. And after first making an appearance in 2009, it’s finally here, like a beast foretold in legend. Its oscillators are digital, with FM (frequency modulation) and phase distortion and the wild-sounding fractal resonance. And then it has analog-style filters. And then it has effects …

It covers just the basics, but sounds the business - and it's free with the SYSTEM-1. The SH-101 plug-in. (Yes, plug-in - we're not to the plug-out bit yet.)

Roland’s PLUG-OUT SH-101 Doesn’t Work in Many Hosts; What You Need to Know

Roland’s PLUG-OUT introduces a new way to deliver electronic musical instruments. You get a plug-in you run on your computer, but then the same sound-making code can be loaded onto hardware – the AIRA SYSTEM-1 synth keyboard. The good news is, the future-y stuff all works perfectly well. As we reported in our initial hands-on, when the installation works, you can use the software alone, the SYSTEM-1 alone, or a combination, which is a nice arrangement. The bad news is, the old-fashioned “install the plug-in and it works in your DAW” part? Well, for some – not so much. We’ve …


Roland’s SH-101 PLUG-OUT Integrates Hardware, Software, Looks Rather Convenient

Hardware makers have tried different ways of fusing those tools with software for years. Now, we get to see just how Roland’s PLUG-OUT scheme will work, as the company shows off the SH-101 plug-in for the AIRA SYSTEM-1 keyboard synth that just began shipping. The SH-101 PLUG-OUT ships on the 25th of July, available for free with purchase of a SYSTEM-1. And, just as I’m enthusiastic about Elektron’s direction this year with Overbridge, I have to say PLUG-OUT looks really convenient. The name might be a gimmick, and I don’t know that everyone will want to swap models regularly, but …


Add Musicians Across the World As Easily as a Plug-in: VST Connect Pro

With Facebook and WhatsApp and FaceTime and Skype, we can be chatting with anyone in the world. Why not also recording music with them, via MIDI or audio? Steinberg’s vision of bringing Minority Report-style hand-waving to moving your transport controls may or may not be something you’d actually want to do – cool factor aside. But the other announcement this week that echoes science fiction films is a technology for letting you record musicians from far-off places. (Remember video conferencing in 2001? Or that horrible scene in Back to the Future 2? I digress.) Online collaboration is something many, many …


SONAR X3 Makes Control of Sound More Fluid with Deep Celemony Integration, More

SONAR, Cakewalk’s flagship Windows DAW, receives a significant update this month as SONAR X3. There are a number of improvements, but what may be the most significant is a deep integration of Celemony’s toolset for manipulating pitch and time. DAW tastes will be forever personal, so you can be forgiven if you simply don’t like or have never used SONAR. But it’s worth noting that some things the software has accomplished have led the way for other tools. Cakewalk was the first, for instance, to embrace 64-bit audio processing and computation, and continues to (fairly) boast of its 64-bit “double …

Z3TA+ 2 is now available on Mac - and stacks up nicely against other modern synths, especially at US$99.  Go invent a replacement for dubstep (brostep?) with it, if you like.

Z3TA+ 2: With Mac Release, QuNeo Live Control, a Classic Soft Synth Gets New Life

Even in 2012, one of the great wonders of computers is, they sure make some damned awesome synthesizers. Z3TA+ 2, around for about a decade, is one of the soft synths you might fairly call a “classic.” (Not just in a press release, either – I’ll defend that moniker.) You’ve probably heard it used in productions. But unlike a sought-after piece of hardware, you can make it your own for a hundred bucks. But what makes Z3TA+ 2 “news”? How about the combination, seen recently on Synthtopia, with the QuNeo controller? Here, all of those timbral parameters become touchable, aided …