SoundCloud offices in Berlin.

Producers and DJs can now sign up to get paid for SoundCloud plays

SoundCloud’s ambitious goals for being the place where people share and discover music has always left it with a challenge. On one hand, it has to keep encouraging you to upload music – your tunes, your remixes, your DJ sets. It can’t just be a site for major label content, because then it loses to Apple and Spotify by default. On the other, it has to satisfy the needs of right holders – including when you upload music that they own. That’s an issue with your DJ set, of course, but it could eve be an issue with your own …

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Hearing a Steve Reich phase with two iPhones is oddly hypnotic

You’ve got Steve Reich on your speed dial, right? He calls now and then? This is totally a realistic experience of what happens in your daily life? I’m sure it is. http://stevereichiscalling.com/ Texting, of course, is similar, me and Steve. “U up?” “U up?” “U up?” “Up?” “Uu up?” “up??” “Uuu up?” “up? U” “Uuuu up?” “up? Uu” “u— True story. Also I recently installed the Steve Reich Weather app, because it tells me if It’s Gonna Rain. Thank you, you’ve been a lovely audience, I’ll be here all night!

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Amazon S3 outage hit SoundCloud, reminds us dangers of centralization

Those of us in music more or less noticed today, “hey, my SoundCloud audio isn’t loading” — while the rest of the Internet went crazy because lots of things were broken. But the reason was Amazon S3, the “cloud” storage service provided by the retail giant. Early indications appear, though, that SoundCloud’s audio playback and buffering difficulties are the result of degraded performance of Amazon S3 storage. http://status.soundcloud.com/ See, on the outage in general (still ongoing as I write this, amidst some really confusing messages from Amazon): Amazon’s AWS S3 cloud storage evaporates: Top websites, Docker stung [The Register] Now, …

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DU-VHS = what TV would be if it were glitchy, nerdy, and underground

Our friends at the hypergeeky, futuristic Detroit Underground have built an app. And it’s full of videos, layered in a VHS-style retro video interface. DU-VHS is available now for iOS (iPad and iPhone both), and as a Web app accessible through any browser, all for free. Step inside, and you’re treated to an explosion of electronic sound and image – burbling, bleeping hyperactive musical textures, and degraded retro-videocorder lo-fi renditions of videos. There are music videos, loads of live performances, and even interviews and synthesizer odds and ends. It’s the work of designer Jean Christophe Naour. If you’re wondering why …

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Alien and unicorn music and a free picture-to-MIDI tool to download now

The Internet: it’s still doing crazy things with MIDI. Just in the last few days, we’ve seen MIDI musical inventions go freshly viral. And keep reading even if you’ve seen some of that, as we’ve got a little bonus for you to get in on the fun. It started with producer Aleksander Vinter, aka Savant – whose work extends to popular game scores. He created patterns like this one that double both as recognizable picture (a bird, reminiscent of vintage text art), and as compelling musical figuration. Behold: See / hear more: https://www.facebook.com/pg/SavantOfficial/about/?ref=page_internal https://www.youtube.com/user/winterpiss/featured That led YouTube star Andrew Huang …

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This nearly 12 hour modular synth marathon is actually entertaining

You might think that rigging a giant rack of modular synths and burying them in a tangle of synth cords and then live streaming a performance jam on them for nearly twelve hours straight is self-indulgent and overkill. And you’d be right. But if you also thought it would be no fun to watch, that it’d be joyless and involve lots of noodling, you’d be very wrong. Very wrong. Like – maybe you should get about twelve hours free. That’s because the guy behind this insanity is talented synthesist Colin Benders. And not only is he an amazing musical performance, …

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Here’s the easy thing you can do to support artists you love on Facebook

“The Algorithm.” It sounds like something ominous out of scifi – an AI character from The Matrix, maybe. It’s the name for the proprietary system by which Facebook shows you content. And this element of social media has been under fire lately, even on the global political scale. Computer rules are invisibly determining what you see. And they don’t necessarily work for you. Like a drug dealer, they’re there to keep you hooked. And since they can be bought, they’re also there to ensure publishers buy advertising to be noticed. Okay, that sounds scary. On the other hand, you’re sitting …

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Google explores how machine learning could navigate the history of art

You might have some art history under your belt. Now experimental artists are giving the machines a chance to do the same. It’s called Google Arts & Culture Experiments, and it takes a new angle on machine learning. The concept: let those algorithms find new ways of venturing through the history of art and human culture. This isn’t just about the machines, either. Continuing the Chrome Experiments series, the search giant is enlisting artists and creative coders to try an inventive take on what this might mean. After all, while the machine learning may be for the AI, it’s the …

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Novation’s Circuit goes polyrhythmic, and other 1.4 goodies

Firmware updates aren’t supposed to be something that gets talked about. But somehow, Novation’s actually generate some buzz. There’s a lesson here for the whole industry. Social media strategy could actually be part of the development process. (Your engineers are part of your PR?) Anyway, the new Novation Circuit continues to get cooler. And some new features I’ve been waiting for arrived – the ones that made me stick it back into my MIDI rig, where it’s been earning lots of attention with that friendly face. The big ones for me: drum pattern length (for polyrhythms) and instant pattern switch. …

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Rent-to-own Serum means Kanye doesn’t have to pirate it

Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.

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