Offline processing in Nuendo 8.

You can compose entire interactive game scores in Nuendo 8, more

There isn’t one music production tool that fits everybody. What’s special about Steinberg’s Nuendo is that it is uniquely poised for high end production workflows. And maybe more than any other developer, Steinberg seems to be catering to the needs of A-list game scores. That says something not only about Steinberg, but about the changing face of music production. Once, there was the studio world, and “pro” releases meant the Audio Engineering Society (AES) show. You know, for people producing records. Now, odds are, you’re going to laugh when you open the statement from your label showing how much you …

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There’s a new wave editor for Mac and Windows, and it looks promising

Most hardware and software for music making has generally gotten better, but not the dedicated audio editor. This once-proud genre of music software has fallen on hard times. Tools have been acquired, discontinued, received too-few updates. Some of the better tools we’re left with look like they came from another decade. And that’s too bad. Because having a tool devoted solely to day-to-day audio chores is a really good thing. Maybe you’ve got a set of samples you want to crop and clean up to load onto your drum machine or into a software sampler. Maybe you’re sorting through a …

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Maschine now makes it easy to work with external gear, spice up patterns

There are those things in music making that are just pure joy. There’s finding a particularly nice groove or pattern, or getting that really juicy synth or effect parameter to morph just so. And there’s getting to use all those toys and external gear you really love. So, while Maschine 2.6 is just a “point” release, I think it works out being one of the most welcome updates to come to Maschine’s loyal audience of groove makers yet. It gets at both these points. First, it inherits all the clever stuff added to Maschine Jam for adding variations and randomization …

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Photo (CC-BY) Martin Hearn.

Get the sound of an abandoned US surveillance tower, free

Over fifty years ago, it was built in West Berlin atop a mountain of rubble to listen in on the Communists in the East. And now, the infamous Teufelsberg UA National Security Agency tower can lend its cavernous sound to your tracks. It’s available as a free plug-in for Mac, Windows, and even Linux, and it’s open source. Someone found this idea appealing already, as the impulse samples we wrote about previously became the creators’ most popular download. But now, you get a plug-in you can drop in your host. It’s actually a pretty nice array of stuff here: Lush …

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Recreate classic MP3 visualizers, free – and use them in VJ apps

It’s funny, some things you really didn’t imagine looking back on with nostalgia. And yet, there you are – reminiscing about the days of staring at your Winamp MP3 visualizer. Well, I totally missed it, but there are some free projects that let you bring back those visualizers. Better still, you can pipe them into VJ apps on both Mac and Windows. First off, MilkDrop itself is a fascinating story. I won’t dive all the way down that rabbit hole at the moment, but here’s a short version of the story. Creator Ryan Geiss was (and is) a talented electronic …

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Get a powerful step sequencer as a Windows VST, free

Quick! You need a step sequencer! Sometimes you want a full-featured sequencing tool and your host doesn’t have one (or it doesn’t do what you want). HY-SEQ16 is a terrific, versatile option. I could talk about the whole feature set but: randomize. Probability controls. There you have it. Okay, also, preset management, separate randomization per parameter (ooh), sequence direction – basically everything you need. If you really fall in love with this one, US$28 buys you 3×16 steps and an LFO. This looks great to me, not least for controlling external hardware. Heck, I thought I didn’t need it, and …

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Image: Licht Pfad.

TouchDesigner 099 does everything with live visuals – now on Mac, too

It makes things look prettier, with something called “physically based rendering.” It has crazy compositing and capture powers. It’s networked with Web support, talks to DMX gear, and intelligently handles all your MIDI gadgets and capture cards and everything else. It handles VR with HTC Vive. And that’s just a few examples of what is new or improved in version 099. TouchDesigner is a name you’ll see coming up regularly mentioned in projects. It’s an all-encompassing visual development environment, using a patching (or “dataflow”) metaphor, like Pd, Max/MSP/Jitter, vvvv, and others. That interface is one of the best looking zoomable …

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The $499 Softube Console 1 now looks like a great buy for producers

Softube’s Console 1 was an intriguing offering when it came out, but I suspect some people balked at the price – and simply didn’t know what it was or what it was for. Now, at five hundred bucks, the audience should be bigger. And Softube are working on making the “what is this anyway?” story clearer. So, what is it? Let’s back up. First, imagine a big mixing desk – like a big Solid State console. Now imagine what that console would look like a computer accessory. Obviously, you’d want it to be a whole heck of a lot smaller, …

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One of the best premium audio interfaces now claims to be better

How much time do producers spend just handling one or two inputs and stereo output (plus monitoring)? My guess is — a lot. Once you’re out of the studio, that amount goes up. But generally speaking, premium interfaces have tended to assume you need more I/O – even though a lot of electronic production now occurs in the box. So part of the reason the Universal Audio Apollo Twin has been important is that it changes the value equation. It doesn’t do a whole lot of I/O – this is really about recording one thing at a time, listening, and …

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Here’s how Bastl’s new $49 KLIK is syncing stuff up

Some tools are simple enough that they only really make sense in context. So we’ve gotten word that not only are Bastl Instruments introducing a new sync tool – they’ve also done some clever collaboration to show how it helps you play in time. Klin is a tiny $49 sync box. It’s really simple — you take line level audio from a sound card, and Klik turns that into clock signals for your (CV-powered) hardware synths. So, when it’s time to sync stuff up, just enter a rhythm track in your DAW of choice, then output that to the Klik. …

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