volumeshaper

Cableguys are showing some amazing tips for their shaper plugins

Cablesguys are one of the more interesting purveyors of plug-ins out there, and they’ve been showing off some interesting stuff with their lineup. These things can be a bit hard to describe, just in theory – okay, so you’ve got VolumeShaper and TimeShaper, which shape … volume .. and … time. But in practice, you begin to see some really compelling possibilities coming out of this approach and user interface. With VolumeShaper, one recent plug-in, you can take hi-hats out of an existing loop (meaning this is also a must-have plug-in for remixes, for example). TimeShaper can be used for …

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Ableton have now made it easy for any developer to work with Push 2

You know Ableton Push 2 will work when it’s plugged into a computer and you’re running Ableton Live. You get bi-directional feedback on the lit pads and on the screen. But Ableton have also quietly made it possible for any developer to make Push 2 work – without even requiring drivers – on any software, on virtually any platform. And a new library is the final piece in making that easy. Even if you’re not a developer, that’s big news – because it means that you’ll likely see solutions for using Push 2 with more than just Ableton Live. That …

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ROLI now make a $299, ultra-compact expressive keyboard

ROLI are filling out their mobile line of controllers, Blocks, with a two-octave keyboard – and that could change a lot. In addition to the wireless Bluetooth, battery-powered light-up X/Y pad and touch shortcuts, now you get something that looks like an instrument. The Seaboard Block is an ultra-mobile, expressive keyboard for your iOS gadget or computer, and it’s available for $299, including in Apple Stores. If you wanted a new-fangled “expressive” keyboard – a controller on which you can move your fingers into and around the keys for extra expression – ROLI already had one strong candidate. The Seaboard …

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audiofuse_in_studio

Arturia AudioFuse: all the connections, none of the hidden settings

After a long wait, Arturia’s AudioFuse interface has arrived. And on paper, at least, it’s like audio interface wish fulfillment. What do you want in an interface? You want really reliable, low-latency audio. You want all the connections you need. (Emphasis on what you need, because that’s tricky – not everyone needs the same thing.) And you want to be able to access the settings without having to dive through menus or load an application. That last one has often been a sticking point. Even when you do find an interface with the right connections and solid driver reliability and …

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Exclusive: Ableton acquires Max maker Cycling ’74; what you need to know

Ableton is announcing today they have fully acquired Cycling ’74, the California-based company best known for producing Max and Max for Live. It’s perhaps an auspicious moment for Cycling ’74 as the company reaches its 20th anniversary – and 20 years of availability of the MSP tools for synthesis and sound processing. But if acquisitions would normally make you nervous, the close existing relationship of the two companies, and the plans as they’re describing them, should put those concerns to ease. Gerhard Behles and David Zicarelli, founders and CEOs of Ableton and Cycling ’74, respectively, tell CDM that the deal …

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Founders David Zicarelli (left) and Gerhard Behles (right).

A conversation with David Zicarelli and Gerhard Behles

Today’s Ableton have announced they’re acquiring Cycling ’74. There’s no two better people to talk to about what that means than the founders and CEOs of the two companies, Ableton’s Gerhard Behles and David Zicarelli of Cycling ’74. That’s big news. But it’s also a long time coming, based on a relationship that has evolved over three decades. And the history of these two companies is deeply intertwined – not just because of Max for Live. Without Max, it’s almost certain there would be no Ableton. Behles says Max was the first music software to really inspire him. Max was …

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Maschine 2.6.5 makes it easier to manage ideas, routings

Ableton has accustomed a lot of us to the idea of having a grid of bits of ideas we can trigger and layer (among other similar metaphors in drum machines and the like). So of course that same functionality would make sense elsewhere. Maschine Jam took Native Instruments’ groove workstation into a different direction by focusing on how you generate, transform, and arrange ideas. Now that focus on workflow is finding its way into the whole Maschine family, both in the form of refinements to Jam and new functionalities elsewhere. So, as NI quietly rolls out Maschine 2.6.5, all Maschine …

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Suren's Circuit, in the studio.

This editor unlocks all the power of Circuit as synth and groovebox

Novation’s Circuit is a budget marvel. As a drum machine alone, it’s a steal – particularly with the ability to load your own samples. But also hidden inside are two synths based on the Novation Nova. There’s one piece of software that really lets you maximize all these capabilities: the Circuit Editor plug-in from Isotonik. It’s got two major advantages. One, it lets you get inside all the hidden powers of the synths and drum machine locked into the Circuit hardware, not only as an editor but with extras like randomization and morphing. The upshot of that: you can use …

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Novation’s Circuit tools now work without needing the Internet

Just in time for all of us to retreat into a bunker and cut ourselves off from the world — erm, uh, I mean just in case you don’t have an Internet connection in your studio, now Novation’s Web-based editor for Circuit works offline. We’ve waxed rhapsodic about the Circuit Components before – as it turns Novation’s simple, cute, cheap, lovely drum machine into a more customizable tool. You can load samples, save presets, and make backups quickly and easily. But there’s been one very annoying inconvenience: you need to run the tool in your browser, and you need to …

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Now, DJing with a giant touchscreen using djay, Surface Studio, Surface Dial

So, Algoriddim’s djay has been quietly morphing from “nifty entry-level Mac DJ tool” into “holy, crap, this is actually kind of better than the other DJ software.” And now, a ground-up rewrite for Windows 10 points to where music software might go on that platform – namely, touch and other novel input. I’ll review the state of djay Pro soon. I think its clean interface and its open support for hardware (including Pioneer’s) are reason serious DJs should give it a second look. And in particular, it comes at a time when some leading competitors focus more on supporting their …

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