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Waveform woos DAW switchers with clean UI, features, Raspberry Pi

The struggle to make an all-in-one computer production tool that’s different continues. Tracktion, a lesser-known “indie” DAW that has seen a rapid resurgence in recent builds, is now back in a new generation version dubbed Waveform. As usual, the challenge is to make something that kind of does everything, and necessarily needs to do all the things the competition does, while still being somehow different from that competition. Waveform’s answer is to build on Tracktion’s clean UI by making it yet more refined. It builds on its open workflow by adding modular mixing and enhanced “racks” for processing. And it …

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Apple announces that they’re not ready to announce new pro hardware

Apple today summoned a handful of tech reporters to a product lab, essentially to announce that … they were between announcements. Apple’s unusual PR experiment today was to mix mea culpa and product teaser, in a drawn out explanation of why their hardware wasn’t shipping. The result of this messaging technique: journalists in the room for the briefing dutifully recorded the agonizing details of how Apple sees its “pro” user base and how it prioritizes desktop functionality: The Mac Pro is getting a major do-over [Mashable] Apple pushes the reset button on the Mac Pro [TechCrunch] The Mac Pro Lives …

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BT’s Phobos is a scifi synthesizer using something called polyconvolution

We’ve reached a new era in software instruments. For years, designers had produced instruments that either relied primarily on sampled sound, reproducing existing acoustic instruments, or worked mainly with synthesized sound and short wavetables, like a typical synth. What’s happening now is we’re getting a bumper crop of hybrid instruments – ones that use extensive multi-gig sample libraries and combine them with synthesis and processing to form sounds that hadn’t existed before. I’ve written at some length about the approach of LA-based Output on these lines – and relied on their instruments when under painfully short deadlines, in particular. Now, …

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The music software that’s everywhere is now in the browser too: SunVox Web

Oh, sure, some developers think it’s a big deal if their software runs on Mac and Windows. (Whoo!) SunVox has a different idea of cross-platform – a slightly more complete one. Alexander Zolotov is a mad genius. His SunVox has all the patchable sound design of a modular synth. But it also has all the obsessive-compulsive pattern editing of a tracker. So on any single platform, it’s already two tools in one. And it doesn’t run on just one single platform. It’s on Windows (pretty much any version). It’s on macOS – all the way back to 10.6. (Kudos, Alexander …

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TouchDown Houston at Day For Night Festival; photo Roger Ho.

A bunch of tricks and tools for generative visual tool TouchDesigner

TouchDesigner, the visual development environment for interactive media, is a not-so-secret weapon for the artists creating some of the best eye candy today. And it’s likely to earn more attention now that it’s available for both macOS and Windows. (It was previously Windows-only.) But it’s not just the power of the tool itself that makes it stand out. It’s just as much a community behind it, sharing resources with one another. That says something, really. People working on interactive and event visuals often pull in some pretty hefty fees, and they justify those fees by making sure their tech tricks …

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Now you can put a Buchla-style modular inside Reaktor, free

There’s nothing quite like a Buchla. The “West Coast” modular that inspired the likes of Morton Subotnick and Suzanne Ciani has an approach to signal and expression that is both uniquely experimental and uniquely musical. It’s its own animal. So it’s about time we see that philosophy applied to the open patching of Reaktor. The Cloudlab 200t isn’t a Buchla clone – its creators are quick to issue a disclaimer there, and say this is all just for fun. But fun it is, with a lovely approach to patch design. Trevor Gavilan produced the design, with contributions and components from …

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Carla, an existing plug-in host for Linux. These apps could be getting a lot more plugs soon.

Steinberg brings VST to Linux, and does other good things

The days of Linux being a barren plug-in desert may at last be over. And if you’re a developer, there are some other nice things happening to VST development on all platforms. Steinberg has quietly rolled out the 3.6.7 version of their plug-in SDK for Windows, Mac, iOS, and now Linux. Actually, your plug-ins may be using their SDK even if you’re unaware – because many plug-ins that appear as “AU” use a wrapper from VST to Apple’s Audio Unit. (One is included in the SDK.) For end users, the important things to know are, you may be getting more …

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Analog Strings from Output melds string orchestras, string synths

There are string synths. And then there are sample libraries of orchestras. The strings synths produce sounds that are recognizably vintage, and more or less unrelated to actual orchestras. The sample libraries can get into obsessive compulsive detail and sound like an orchestra. But either way, we’ve been there before. There are great string synths around, but they tend a certain direction. And sampled orchestra libraries, while great, give you that feeling that what you’ve really done is to skimp the musicians of the Bratislava Radio Orchestra on a gig (and your feeling of being in the room with a …

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Sloo is the maddest, most swarming soft synth you’ve ever heard

When was the last time you just got lost in a synthesizer? Like, when you forgot everything else you were doing and just turned knobs and forgot what hour it was? Well, if it’s been a while, you might want to try Sloo. If you want, you don’t actually need to read any more. Just know that Sloo is a thing for Reaktor from Tim Exile, and it involves a gazillion oscillators, and it will make totally mental noises. It feels like someone has just heated up a giant, hot, steaming Jacuzzi of oscillators and you’ve jumped in and dunked …

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Eventide want to change how you think about processing audio

Digital signal processing is some futuristic stuff. It may not be able literally to let you traverse space and time as relative dimensions, but it can treat time and frequency separately and mash them back together. And that’s already freaky enough. Now, Eventide – the folks you know probably for their classic hardware and reverbs – are pushing that notion right into their marketing, dubbing their approach “structural audio.” Structural audio sounds a bit like a panel presentation you went to at an Audio Engineering Society conference that sounded fascinating but completely lost you and then you went looking for …

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