Bluetooth LE Will Make Minority Report a Creepy Reality, But Also Arduino Cooler

PSFK – Adaptive storefront prototype from + rehabstudio on Vimeo. After years of failing to demonstrate compelling applications, Bluetooth is back with a vengeance. If you haven’t yet used a Bluetooth Low Energy (BLE) device, it’s a completely different experience. Pairing and range and latency work better (the result of years of learning how to make these better). Battery drain is barely noticeable. You can expect BLE to power lots of clever new applications – and it’s nice to see it showing up on DIY electronics. Oh, yeah, and it can creep the hell out of you, privacy-wise, by making …

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Ableton Goodies: Push without Push – Free Lemur Template Puts Shove on iPad

It was only a matter of time. An intrepid Lemur for iPad user has devised a template that emulates Ableton’s Push hardware. Cleverly entitled “Shove,” the template isn’t just a little like Push. It actually allows you to use the iPad as surrogate for Ableton’s hardware. You configure the iPad input and output and then select Push as the control layout. Ironically, that means this script may appeal as much to current Push owners as it would to anyone who wants to use their iPad in place of the hardware. I leave my Push comfortably sitting in the studio, because …

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Jamming Without Wires: Thavius Beck, Hands on with the QuNeo Rogue

The freedom to go wireless means being able to take a controller and move about a venue or studio space. Visualists can eye their projections and lighting; musicians can check sound levels while walking around or more easily play with others. We’ve experienced this with iPads and the like. Now it’s time to do it with hardware. We covered the QuNeo Rogue in a look at two crowd-funded wireless projects late last month. But the Rogue now has just five days left on its crowd funding. KMI is at least no stranger to the model; they’ve shipped gear this way …

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Wave Your Hands: 3-Axis Gesture Control in New Hot Hand USB Wireless

We’ve been seeing wave-your-hands-in-the-air gestural controls for music since the early part of the last century – thank you, Leon Theremin. But one of the more wholehearted efforts to make it useful has come from the makers of Hot Hand. Initially they peddled the idea to guitarists and bass players, who were already accustomed to adding additional expression to their hand via whammy bars and the like. The Hot Hand USB is the latest iteration, and now hopes to woo computer DJs and producers. The draw: plug-it-in, driver-free control of anything via MIDI, wirelessly. Whereas these sorts of things are …

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I Dream of Wireless: Two Crowd-funded Accessories Make Music Without Cables

There are still many situations in which cables have some advantages for control, as we saw in this week’s tutorial on iPad connections. But two separate crowd-funded projects are working on high-performance wireless solutions for music controllers. That could open up the chance for performers to move around, take advantage of tilt sensors and other location tools inside controllers, and work with gear in studio situations more flexibly. Keith McMillen already has a track record using crowd funding to support projects – and they’ve been getting better at it. After the “3D” grid-and-ribbon QuNeo suffered production delays, the keyboard-style QuNexus …

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How to Use the iPad for Music Control: Cables, Wireless, MIDI, OSC

You know the possibilities are significant, but how do you explore them? iPad, Ableton Live, MIDI, OSC, Wi-Fi, MIDI … how can you connect your iPad to other tools for music control? We brought in an expert, Nicolas Bouga├»eff, Creative Director at Liine, to explain the different routes, including not only wireless, but wired solutions, too. Liine is the maker of Lemur and popular Ableton Live control apps (LiveControl 2 being the most recent). Nicolas naturally builds on that expertise, but the lessons here apply to a range of iOS apps. This tutorial should answer some questions for beginners and …

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Miselu Uses Wireless, Magnets, Ribbon, Springs for Upcoming MIDI Keyboard [iOS/Desktop]

It is unintentionally turning into “crowd-funded experimental keyboard week” here on CDM. Miselu, the startup known for developing their own, custom Android-based hardware platform, now turn their attentions to iOS. Miselu’s Jeffrey Horton tells CDM they have suspended work on their existing hardware and “hope to resume android development when the time is right.” This comes how on the heels of NDVR’s crowd-funding campaign for a unique new keyboard, and just as we’re finishing our review of the crowd-funded (now shipping) QuNexus. (Note: NDVR now has a new IndieGogo crowd-funding link; there was an error in the way the first …

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Imagine a Musical Interface, Mirror it on Your iPad: Max + Mira

I heard David Zicarelli once describe Max as a blank sheet of paper – a canvas on which you can imagine any musical creation. Until now, though, there’s been no way to touch those creations directly – other than with a mouse. Mira is a lovely solution to that idea. As users “patch,” visually creating tools in Max, objects that impact user interface interaction (knobs, faders, buttons, musical keyboards and the like) are visible both on your computer screen and on your iPad. You even can add images, new objects for multitouch and motion, text, and images. And you can …

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Bhoreal: RGB Grid as Open Source Hardware – Kit or Ready-Made, Wired or Wireless

We are Bhoreal from MID New Media Design on Vimeo. Grids are suddenly everywhere – in music control, but also in visuals and art. And they’re lighting up in RGB. But Bhoreal promises to do some things other grids aren’t. Whereas the monome is a truly beautiful, handmade and rare object, its rarity – by design – means it’s hard to get. And readily-available commercial products aren’t open source, and while they fit certain needs elegantly, they’re designed to stick to those needs rather than allow easy modification. Bhoreal is this kind of blank-slate, do-anything colored grid you can turn …

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Fractals, Bots, Nodes, and Patternists: Onyx Ashanti’s Cyborg Music Meets the Ensemble [Guest Post]

Get ready: from one more-than-human musical cyborg, a robotic horde of beatjazz artists. Onyx Ashanti isn’t satisfied just augmenting his own body and musical expression with 3D-printed, sensor-laden prostheses. He’s extending that solo performance with bots that crawl around and gesture for feedback, then – inspired by the organic beauty of fractal geometry – is binding together performers with his system in a networked system of nodes. Just don’t call it a jam session. Call them patternists. If this sounds crazy, it is: crazy in just the way we like. But amidst this hyper-futuristic vision of performance, Onyx also writes …

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