Bitwig Introduces New Production+Performance Studio; Looks a Lot Like Ableton Live

For years, since the launch of Ableton Live, many have waited for a worthy rival, something that combines production and live performance for music users. Live isn’t without alternatives – Renoise, for instance, has earned some fans, though it isn’t necessarily built for live performance. But few provide the same real-time workflows. Bitwig, based in Berlin as is Ableton and featuring some Abletronic veterans, today took the wraps off its own Bitwig Studio. The good news is, it’s looking as though it might shape up to be a viable tool for DJing, performing, and making music. The bad news is, …


Time and Tune, More Fluid: Melodyne Editor 2.0 Brings New Tools, ReWire

The Melodyne editor, which promises to make working with audio as fluid as working with MIDI, has long had some impressive technology under the hood. But it’s as the tool gradually matures in terms of workflow and usability that I think it could win some additional converts. Melodyne 2.0 is a major update to the editor all around, with additional timing and tuning options and better usability, and the addition of ReWire (atop plug-in compatibility) is a big plus for some. It’s easiest to just see the videos, but the overview of what’s new in this release: Attack Speed tool …


1st DAW with Melodyne Pitch Editing: Hi, PreSonus Studio One v2, You’ve Got Our Attention

If you want to be promptly ignored, the best way to do it is to try to release a new DAW. Aside from the fact that even most musicians don’t know what the word “DAW” is (hint: it’s a big program that puts all your computer production, mixing, and recording stuff in one place), you’re up against the likes of Cubase, Ableton Live, Pro Tools, DP, SONA… sorry, I get tired even just doing the list. Here’s how to get some attention: be the first DAW to add Celemony’s crowd-awe-ing direct pitch modification, which lets you change the pitch of …


Tempest Analog Drum Machine, in Action: Roger Linn Quick Start Video

Roger Linn, he of the MPC and AdrenaLinn and Linnstrument, sends us his friendly walk-through video showing you how to get started actually using the upcoming Linn/Dave Smith Tempest analog drum machine. We’re awaiting details on when this unit is actually shipping; I’ll update this post once we hear. What you get instead, though, is nearly twenty minutes of Roger walking you through every single function – this is as much a video manual as it is a “quick start.” It’s nice to see some clever workflow features in action, and you get some very in-depth looks at how the …


Teenage Engineering OP-1: Hands-on Video, Thoughts from One Beta User

Teenage Engineering’s hotly-anticipated synth / music-making hardware OP-1 finally got an official release last week. Early stocks promptly sold out, but new waves of deliveries should refresh availability. We’ll have more from TE on the launch and the instrument soon. In the meantime, you can thank early-adopter Ludwig Mueller for being brave enough to post early experiments with the instrument. Ludwig is a proud owner of the beta release, one of a handful of people who signed up to get access to the OP-1 prior to its public launch – and even before functionality in firmware was entirely finalized. I’ve …


Reforge, iPad Audio Editor, Updated; 5 Ways to Make Tablet Audio Editing Workflow Work for You

Reforge, an iPad audio editor, has gotten a major update with version 2. It’s a ground-up rewrite with a new audio engine, and adds support for Sonoma’s increasingly-popular AudioCopy/AudioPaste API, which provides clipboard functionality for sound between iOS apps. The novelty of running an audio editor on a tablet is clear. But how would you actually use it, in practice? I asked Tib Horvath, Reforge’s developer, to answer that question. He responds to CDM with some tips. It’s a pitch for his product, of course, but then that’s true if you describe the utility of any tool, and he has …


AudioCopy + ReBirth: For iOS Users, Music Making Goes from App to App

Mobile-based music can mean a chance to do more with less, but that hasn’t stopped lovers of production on the iPhone and iPad from wanting to move ideas between apps. So, you’ve got a great bassline … if you could just combine it with that vocal sample, and then finish a track… That presumably explains why we hear so many readers clamoring for AudioCopy. It’s a proprietary audio API developed by Sonoma WireWorks with an available SDK, and it’s gained some real traction among iOS music apps. Latest to the fold is ReBirth, the iPhone and iPad all-in-one music studio. …


YouTube Jazz, in a New Musical Mash-Up, and Online Collaboration

Israeli funk musician and producer Kutiman, creator of the famed Thru-You, is back with an encore. Once again, he’s mixing the best performances of YouTube into a single video. Calling it a “mash-up” is perhaps unfair: this is really mix and remix. It’s no different than laying down multiple tracks in a studio, except that the players were working independently in different parts of the world. “My Favorite Color” is a jazzy, soulful number, particularly carried by those incredible vocals on the original song “Green.” The rest is really arrangement, and it works pretty darned-near perfectly. (An occasional ragged rhythmic …


The Handheld Studio Evolves: Beatmaker 2 Developers Explain their iPhone Workflow

Music production once meant getting into a studio. Portable multi-track tape and later the computer liberated us from that, and the “bedroom studio” was born. When capable Palm handhelds hit the market, musicians imagined yet more mobile means of production, and everything from Game Boys and PSPs to phones, even before the iPhone, have been pressed into on-the-go music-making service. In all that time, though, the way you actually make music in your palm has been a work in progress. Intua’s BeatMaker was one of the first applications to demonstrate what might be possible on Apple’s handheld, and a radical …


Social Recording: SoundCloud Adds iOS, Web Record Buttons, More Social Integration

SoundCloud for iPhone from SoundCloud on Vimeo. While it’s easy to focus on one platform or another, a profound trend in 2010 has been toward sharing media in the cloud. The basic concept is as old as the Internet, but from applications like Instamatic for photographers to syncing storage to tote around documents on iPads, this has been a year in which the server-shared media seemed to become a bigger part of our lives. Sound could be next. Aptly-named service SoundCloud has added a big, red “record” button both to an updated iPhone app and the Web browser-based dropbox. That …