dx100keyboard

Yamaha DX100 Synths Used to Make Thunderstorms Happen Inside Your Motorcycle Helmet

Music tech videos need to be made like this again. (via dylan digits in comments) You don’t need a private Ibiza pool party and some slow-motion to make you look cooler when your keytar makes lightning strike in your face. Until then, we’re down-voting that s***. Consider yourself on notice. The Honda scooter ad at the end just sort of fits in, because how else are you carrying your DX100? Not in a station wagon. Not on the subway. You’ve got FM to make anything possible and you’re already wearing a motorcycle helmet and leather. You can ride with your …

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KORG and Yamaha Will Probably Eventually Replace All Of Us With Robot Avatars

But, on the upside, we’ll be huge in Japan. Yes, just to be clear, this is Hatsune Miku, who is actually a software vocal algorithm, not an actual singer, playing live in front of throngs of fans. Enjoy that stomp box while you can. It may… kill you in your sleep, strangling you with your own guitar cables, and then go on the road with your volcas and electribes in your place. Don’t even think of letting it talk to Siri. (Seriously, KORG, did you ask Yamaha if they’re including the Three Laws of Robotics on that chipset, or should …

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WTF? KORG Miku Stomp Box Sings Along With You, Vocaloid Style

You’re not hallucinating. This is a stomp box that adds a Japanese robot woman singing along as you play. If you’ve heard the now-popular Vocaloid effect, this is that, in a stompbox. Just how Japanese is this product? Let us count the ways. First, let’s just quote the product text: Hatsune Miku sings when you play your guitar! A design that fuses the worlds of Hatsune Miku and guitar effects. Nearly unlimited possibilities; 11 lyric patterns are provided. Lyrics for “Senbonzakura” (a Japanese song) are preset. An iPhone app for entering lyrics is available, so you can make MIKU STOMP …

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analogdrumandbass

Drum and Bass, Made Analog, with Robots: Watch

What if Drum and Bass had been invented before computers, all with analog gear? And what if the drums were played by robots? Watch the video – it’s real. It’s real-time.

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The Best-Sounding Brass Instrument Tech Makes No Sound At All: Yamaha’s Latest Silent Brass

One thing you mostly can’t do with brass instruments is play them listening through … headphones. And that’s a big deal when you’re practicing, of course. There just hasn’t been a good way to do it without bothering other people. Enter Yamaha. (Yes, it’s no big surprise that a country associated with tiny, closely-adjacent apartments and actually making walls out of paper would find advances in practice technology again and again.) Yamaha’s SILENT Brass system, devised for French Horn, trombone, flugelhorn, and trumpet, isn’t new. But the latest evolution may bring it to a wider audience. The idea is this: …

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The POD that changed everything. Photo (CC-BY) Lauri Rantala.

Yamaha will Acquire Line 6, Major Innovator in Guitar Tech

Even in a big year for acquisitions – with Gibson acquiring Cakewalk, for one – this news comes as a surprise to many of us. Yamaha, the 1887-founded Japanese conglomerate with a stake in everything from golf carts to wheelchairs to jetskis to pianos, is acquiring Line 6, the independent California-based guitar and sound product manufacturer. Yamaha is a huge force in products for music and sound, without question, with an unparalleled design, manufacturing, and distribution apparatus. And music is at their core – look closely at those motorcycles and jetskis, and there’s a reason you’ll see tuning forks. Yamaha …

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Fract, Synth Studio as Game, Looks Better, Sounds Better, Wants Your Vote [Video, Gallery]

Amidst its future-arcade, glowing 3D architecture, Fract is a game. In a broken-down “abstract world,” you are piecing together puzzles, reconstructing machinery. But Fract is also a synth studio, one that promises the ability to create your own synth instruments, design your own sounds, and eventually piece together your own music. If Tron let you imagine a fantasy inside the computer, Fract takes you inside your synth. It’s like getting sucked into Reason. (Damn, now I want to meet Thor and Redrum…) I called it Myst meets music making when we saw it last year. Since then, the Montreal-based indie …

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korgpolysix_pads

Music Made with Korg iPolysix – And Nothing Else: Live Demos to iPad Chip Music

Doing more with less, and embracing limitations: it’s oft-repeated advice in music making. Maybe it’s repeated so often that it ceases to mean anything; I can find no harm in making music using the massive possibilities of a packed studio of gear or the endless depth of a computer. So, instead, doing more with less can be something you do just because it’s liberating. It means you can make music on a budget. It means you can make music when you’re on a bus with nothing but a first-generation iPad and a copy of Polysix. It can mean, psychologically, that …

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monkeysandsynthesizers

Synths Versus Real Primates: So Easy, a Monkey Can Play Them? A Zoo Finds Out

Synths meet monkeys. Photo: Andreas Tilliander. Composer and Swedish dance music maestro HÃ¥kan Libdo has been a constant source of experimentation. But his latest project yields zoo-like new adventurousness. Six species of monkeys are equipped with synthesizers to test the question of whether playing a synth is really playing music – or if it’s so simple, a monkey can do it. Describing the project, there’s a bit of a defense of the complexity of the instrument: “You just press a button and out comes music, right?” Well… you do press buttons, twist knobs and faders, but there are endless ways …

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Visual Music: My God, It’s Full of Dots – Yayoi Kusama Meets Musical Design

Tenori-On and iPad apps, hardware designs and visual creations: set against the beautifully-generative mind of Japanese/New York artist Yayoi Kusama, the flurries of dots and circles and patterns in musical interfaces take on a richer meaning. This video, from a workshop hosted at the Tate Modern alongside an exhibition of Kusama’s work, needs little introduction. Instead, the dizzying cuts of geometric abstraction, the array of visual ideas for musical interface begin to take on the same personality of her expansive creations. The galaxies produced out of the minds of musicians somehow overlap with this iconic artist. I hadn’t really made …

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