In a world of machine weapons, construction equipment waging destruction, mechanized warfare and economic mayhem, maybe giant sound machines are a friendlier alternative.
Nik Novak certainly has a way of giving sound physical being. And ironically, if some of his creations might appear to assault the senses, his own sensibilities came from the frightening experience of sonic trauma. He recasts that assault in machines, but also finds ways of working with sound that get past the damage to his hearing.
And far from places of fear, the club – and studio – are refuge.
(Or, okay, if that description doesn’t grab you – the man has a badass sound tank.)
The Mainz-born, Berlin-based artist talks about his hydraulic speaker vehicles, his sense of clubs and sonic experience, and how he came to work this way in a film produced last month for Sennheiser. He sees sound as something that reshapes reality – if these appear to be weapons or terraforming equipment, there’s a reason for that:
Seeing his constructions is something of a marvel. With projection mapping and original sound, he produces audiovisual works particularly designed for these machines. The architectural constructions of some also produce their own particular sonic sculptures, fused with the tangible form of the robotic/vehicular productions.
For “Soundtank,” he has produced audio and audiovisual scores:
Pulsator takes inspiration from the “christening” of my Soundtank, a caterpillar tracked sound system I’ve built recently.
He’s given a TEDx talk in Berlin on the topic of sound as weapon:
See his site for more on his work:
Spotted via De:bug.
See also, other takes on this concept:
Emergency Broadcast Network also had a set of machines for broadcasting / launching missiles – can’t find documentation of that, unfortunately.