Torso Electronics S-4 already looked compelling – hard-core granular sampler hardware just when that genre needed a boost. But we were waiting on the 2.0 OS to deliver on that promise. Now it’s here, with macros, scenes, varispeed recording, unlimited sample length, dynamic modulation, and more.

Barry Vercoe, composer and music scientist, founded MIT’s electronic music efforts and helped shape the Lab’s efforts in digital synthesis and machine listening and learning. But his biggest impact came outside the academy: as the inventor of Csound, he took the original innovations of Max Mathews and made them accessible to everyone. The live coding scene that followed has transformed the practice of coding sound into a new form of musical performance.

Trans communities are organizing and acting, building on an ongoing long-term struggle. And it’s time to go physical. Trans Music Archive is working on physical editions of some terrific music, and they’re asking for your support.

The unprovoked attack by Israel on Iran this week has put civilians in both locations in the line of fire and the entire region at risk of escalating war. There’s a loud chorus from many of my Iranian friends, colleagues, and the artists I’ve written about over the years. Attacks on civilians and neighborhoods across Tehran and the country are being underreported, and artists are calling on us to spread the word.

Connecting with a musical voice isn’t always about hearing something glossy and finished. Sometimes, with the chaos and horrors around us, that perfectly-ordered kind of music can even cease to make sense. These electronic emanations from FAX, the Baja California, Mexico-based producer, are like a salve, like cool water for the soul.

Ableton Live 12.2 went from beta to public yesterday. And there’s more for all Live users – Iftah has an accessible tuner device called Pitch Pipe and Side Brain has an awesome free instrument rack for performing granular tricks, among other new add-ons. You don’t have time to wade through hours of videos; let’s put everything in one place and get bouncing tracks/spectral resonating/granulating.

Inclusion and accessibility are the answer. They’re why we’re here—and they’re a way for developers to support themselves by reaching new audiences. Let’s tune in to Apple’s latest WWDC sessions on the topic, as there are notes here both within Apple’s ecosystem and for reflection across platforms.

Mutable Instruments’ Frames had one of Émilie’s best and most underrated ideas: apply keyframing, as in animation and motion, to modular control. Now, Grayscale Modular is developing that concept with 12 channels and more control. It’s available for $399 as hardware, or you can try it right now in VCV Rack for free.

Don’t let front of house tell you you can’t crank your live set because it “isn’t mastered.” And don’t let the diminutive size of these modules fool you in the studio, either. Aircraft Designs, a group of young engineers from Ukraine, has built a promising take on signal processing with a series of Eurorack modules coming soon. Meet Processing System:

Get hands-on control of Euclidean rhythms on Ableton Push, Push 2, Push 3, and even Push 3 standalone, with Mark Towers’ new creation for Max for Live. And wow, this is addictive–especially for generating geometric melodies and techno grooves.