It’s 1986. Laurie Spiegel creates something unlike any software available at the time — an “intelligent,” algorithmic composer you can play as an instrument, for Mac, Amiga, and Atari ST. You’re at NAMM, and it’s 2026. Surprising everyone, Eventide announces they’re working with Spiegel to bring the original software to modern computers, preserving a breakthrough moment in digital music making. The mouse is back.