The “daxophone” is a new acoustic instrument invented in the 80s. Its creator was a German typographer. It’s name is derived from “badger.” It sounds like an half-human, half-alien vocal. And virtuoso Kazuhisa Uchihashi has been able to coax a whole album out of it – with jaw-dropping results.
In 1974, lunar modules were landing in quick succession on the moon – and the Synthesizer Expander Module (SEM-1) landed here on Earth. Developer GForce turned to creator Tom Oberheim and 80s Oberheim veteran Marcus Ryle for input on this one – and it shows. This is a unique, very analog-y feeling software instrument. It’s simple, elegant – and at 30 quid, a no-brainer.
Here is one tasty-looking custom keycap design, adding the faders, knobs, and synth-y visuals your mechanical keyboard so desperately wants.
Resolume keeps packing features into their Arena and Avenue VJ / live visual / media server tools every few weeks. This time – easier-to-read, customizable time readouts, and a bunch of new features for slices.
Return to the days of MIDI-controlled LaserDisc players – Mark Coniglio, creator of Isadora, walks through this history of the work of Troika Ranch. It’s an incredible microcosm of where dance tech has come for – but you can do stuff today with Isadora, too, like finding a use for that Nintendo Wiimote.
More like this, please. Novation’s Launchpad 2.0 updates (for Launchpad Mini and X) are a great example of how manufacturers can make it easier to adapt hardware to your setup. Now they’ve added keystrokes to the custom faders and melodic and drum widgets you can lay out on your custom controls.
Roland just dropped a huge update for their SP-404 MKII, with a bunch of new features for playing and processing sound – including TR-REC step sequencing. Here’s your guide, if you’re lucky enough to have one of the units.
It’s the ultimate music gear you can swallow. Sorry, make that carry in your pocket. And now the TX-6 starts to make more sense.
It’s official: video games, or certainly their leading icon Atari, have crossed the half-century landmark. But maybe that’s why the aesthetics of some of Atari’s earliest greats now sound newly fresh – not only retro, but as something elemental no deep in music, art, and culture.
“Picked up this machine at a local garage sale. The owner said he picked up in the 90s and it was not working. Poking around and fixing the power board, it fired up and it turned out to be a tracker sampler. Looks very similar to a modern tracker?”