It’s not every day you get to see this lineup – Moog Music meets the Bob Moog Foundation with Michelle Moog-Koussa, Lisa Bella Donna, Suzanne Ciani, Brian Kehew, Steve Dunnington, King Britt, and Rory Kaplan. Moog just posted the video from NAMM last month. And speaking of the Moog Foundation, they’ve also got a big raffle going – and, surprise, it’s for an Oberheim synth, not a Moog.

Krzysztof Cybulski’s Kamer/Ton takes everything you love about video feedback loops and combines them with everything you love about zero-input sound feedback loops, in a flickering and vibrating audiovisual instrument.

To tackle the issue of noise pollution, Warszawa’s panGenerator brought immersive, spatial sound to the philharmonic. But they didn’t make that spatial audio virtual: tracks, skateboard motors, and speakers on karts put this installation into physical motion.

Over 20 years later, Apple’s Sculpture instrument still vibrates, resonates, and morphs like no other physical modeling synth. It’s crazy, unruly, sometimes delightfully unpredictable – you just need to find your way in. So let’s return to some “vintage” tutorials to do just that, especially as there’s a good chance you’ve got Sculpture just waiting for you inside a copy of Logic Pro.

StreamArtStudio, UkrainiaTV, and friends are running a 24-hour experimental hybrid livestream now, together with friends like the Konfluxus Collective in Budapest and Ikalto in Tbilisi, across PeerTube, decentralized networks, and conventional platforms like YouTube. And it’s full of everything from DJs in Vilnius to Ukrainian and Georgian radical poetry to … well someone was doing something in tens. John Object

It’s not just Eurorack. It’s UkRack – the all-Ukrainian module. And while today marks three years of full-scale Russian invasion of their country, it’s a chance to mark the power of Ukrainian resistance in sound. We join our friends at MachineRoom in Kyiv.

MPE, MIDI Polyphonic Expression, can make playing digital instruments expressive in ways we’ve desired for decades. It’s just down to understanding everything you can do – and composer Josh Madoff has a fantastic tutorial and Osmose demos that make this technology more accessible to anyone.

AAS Multiphonics CV-3 realizes the potential of this modular software as a synthesis and physical modeling powerhouse. It’s the biggest update to date, with 3-op FM, new physical modeling components, effects, and sound tools. And it’s polyphonic and expressive, with full support for 8-voice polyphony and glides and expression with MPE.

London’s Music Hackspace has kicked off a series of free TouchDesigner meetups – and anyone can join from anywhere online. Today’s episode is on at 5 pm London time (check that world clock!), featuring kinetic installations.

Acidwerk puts the acid in acid. Yes, this is a generative bassline and drum synth. No, it does not make the vanilla acid you might be imagining. It’s a beautifully bizarre instrument perfect for creating some chaotic noise in a browser tab right after you’ve closed … the news.