Alongside protests and conversation, it’s a moment for black artists and labels to make themselves visible to one another – and for allies to amplify their voices and help organize, too.
Hard patching, meet soft patching: it’s Eurorack modular, but with a Raspberry Pi and Pure Data inside each module – which means you can mod and make your own modules, too.
When it comes to musical inspiration and radiant humans, we’re really lucky to have people like Shaun J. Wright. A poetic short film gives you some window into who he is – and the music will move you to a dance floor even when there’s no dance floor there. Alinka reminds me of this, Shaun’s […]
While clubs are empty, we’ve been getting an intimate look at how people play and imagine ideas. And one of the best sets from FACT’s new Patch Notes series features the excellent JakoJako – just when you might need some music that lets you calm your head.
Black lives matter. Just posting slogans isn’t going to help – and people are dying. What can make a difference? Music tech makers are proposing an actual plan of activities.
The themes can all seem like disconnected threads – social isolation, pandemic, the origins of techno, racism – at least in the blur of news cycles and social media. But Jace Clayton aka DJ Rupture makes a portrait that brings it all together – landing at just the right time. At top: Dia:Beacon, photo Eva […]
Clara Amfo, a major UK journalist and one of the top DJs at BBC Radio 1, has a message that speaks to the trauma she’s experiencing now and gets to the heart of what appropriation means in music.
While the record industry are honing their profound Instagram prose and really powerful uses of Helvetica, volunteers are making simple action cards – relevant everywhere from the USA to the Philippines.
It started at a major label as a call to the music industry, but now everyone from music gear makers to artists and media is joining in. And “#BlackoutTuesday” is even squeezing out Black Lives Matter information and organizing. So what just happened, and is there a constructive way to participate? TL:DR please whatever you […]
The year was 1983. The competition: Roland’s Juno. And KORG would introduce an instrument that … actually … would never really be as legendary as other 80s synthesizers. But it’s excellent, and you want it anyway – especially for free.