The new Max thing Cycling ’74 has been teasing is here, and it’s pronounced “rainbow.” Maybe the easiest way to see why this is a big deal: on the product page, you can mess with an interactive patch in your Web browser natively.
BOSS has taken the advanced slicing / rhythmic / tremolo / panning powers of the SL-20 and packed it into a single stomp form factor. And despite that new compact size and price, you still get stereo in and outs as an option, and full MIDI control.
Born in LA, known for the West Coast, worked on the East Coast – but this week a stunning portrait of Morton Subotnick and live performance will take place in a town with no coast. It’s SUBOTNICK in Berlin.
Noise Engineering is back with still more modules we want – this time, a stereo mixer with some specific desirable extras, and a handy utility for offsets (and other things).
Kyoka, the innovative producer and artist (Raster-Noton), has electrodes attached to her head with good reason. In collaboration with neurologists, she’s exploring the power of sound in mood and thought. She talks to us on the eve of a premiere at Berlin’s Signals Festival.
We’re fortunate for all the time we get to spend together talking about the stuff we love and meeting the people who make our musical instruments. And that time is always limited. So this moment from the OB-X8 team is especially worth watching for all four designers – and RIP, Dave.
Ancestral Archaeology is more than the title of Nina Pixel’s new double-album. It’s an urgent practice at a moment of crisis for Slovakia and the world, taking a critical and scientific approach to folklore’s legacy, rather than a fetishistic one.
Eat your heart out, Roland V-Accordion. Meet the Commodordion, an 8-bit chip instrument with bellows made of floppies and gaffer tape – and a surprisingly deep feature set.
Software giveth back what hardware scarity hath taketh away. The beloved (and now discontinued) Moogerfooger range is now back in full in plug-in form. And yes, they have fake wood side-panels, too.
Distort sound, distort norms – that’s the watchcry of Paula Temple’s Noise Manifesto. But even though it’s a celebration of ten years of the label, if you love any distortion at all, you owe it yourself to tune into this four-part guide to some of the most inventive sonic destruction around.