DivKid and Vostok Instruments are bringing the joys of the Interpolating Scanner to Eurorack. First introduced 30 years ago by legendary engineer and analog sound hacker Jürgen Haible, the classic scanning circuit smoothly transitions between four input channels.

Sami Abu Shumays has uploaded his complete lecture on politics and maqams. He talks about how decolonizing music also meant decolonizing himself—reconnecting to his roots as a Palestinian American. This is essential context for Sami’s work, which includes the Arabic tuning section of Ableton Live 12’s tuning implementation and free companion site.

“I got a fever! And the only prescription is … more rimshot!” If you’re set to get really obsessive about analog rimshots and claves, this Erica Synths reboot of Hexinverter has you. (And you might discover unique kicks and toms and other percussion, too.)

That’s it. That’s the post. Screengaze will be the new thing. Producers, I want to hear from you.

How much can Unreal Engine and MetaSounds accomplish? Developer/artist Matt Spendlove has built a complete open-source polysynth in it, roughly recreating the AudioKit Synth One using Unreal’s internal tools.

From the files of the lost corners of the Internet, here’s a musical snapshot of electronic music composition in India in the early 2000s, in all its Korg Triton-fueled glory. It’s all via a zine delivered on CD-ROM as the Indian Documentary of Electronic Arts.

Detroit native AbuQadim Haqq, the artist who gave form to the Drexciyan Empire and helped craft the visual identity of Transmat, Planet E, and Underground Resistance, has put 33 years of that imagination into an art book and compilation project.

If you wished Ableton’s Note app worked as a controller, this could be for you. 7III Tap lets you play, use scales, control devices, trigger clips, and mix from your phone.

You’ve got choices for how to delay, distort, mangle, spectrally transform, and meddle with audio. But Tom Erbe’s legendary SoundHack stands out – and it’s free. And now it’s Apple Silicon ready.

Unreal Engine’s sonic powers are extraordinary and free of cost – both in games and audiovisual environments but even powerful enough to consider Unreal as a music tool in its own right. The challenge is navigating the deep interface. The Sound FX Guy is one of the must-have learning resources for Unreal sound and music.