The early days of January – the email inbox is still quiet, things are for many still moving slow. But if musical perspective is possible only with hindsight, it’s a moment when the picture of a moment in musical history has first crystallized. The zeitgeist of an era starts to reveal its footprint. This isn’t a look back. It’s a round-up of the music we believe looks forward. Tellingly, too, the music that’s most effective at doing that also has studied their history and developed their art – multiple artists show up on our reissues and new lists. It’s a …
Much can be said and felt with the human voice without words – and that’s where Robert AA Lowe comes in. With his solo drone/improvisational project Lichens, or lending his talents as a singer, synthesist, and instrumentalist to the likes of OM, Lowe has carved out a unique and powerful space as an artist with a deep focus on vocal exploration.
patten has gone from CD-R releases to Warp, remaining anonymous all the while. But these secretive artists told us about where they find inspiration.
For me, it goes back to Lil’ Kim. Let me back up. Much as we take it for granted in 2015, once upon a time in a far-gone decade called the 80s, sampling was a new technology. Groundbreaking (and expensive) instruments such as the Fairlight CMI and Synclavier brought new possibilities for playing with recorded audio. Suddenly, sounds and sequences which used to take days of work from skilled tape manipulators became keyboard-mapped.
It’s clear right away that Kiran Gandhi is an “always-on artist.” We’re sitting down with the drummer/singer/electronic musician/businesswoman at Ableton’s Loop conference, and as she reflects on the acoustics of the outdoor tent where we’re recording, she sings an impromptu recording into her phone. There’s even a lyric reminding her to write about tents. The tone is set for our whole conversation: as Kiran longs for a higher-fidelity phone microphone, technology alone can’t keep pace with her spontaneity.