We live in a world of solitary trauma and unrealized grief. We can sit alone with our phones and see it reduced to images in an algorithm. We can see our loved ones go through trauma in ways we can’t even understand or reach. In Palm of Hand, through extemporaneous collaboration between Snakeskin and Felisha Ledesma, Malmö and Beirut, there is a healing expression of all this agonizing, fragmented experience. The result can be deeply centering, a balm to play on loop.
Read moreThat’s it. Rawton Forge has nailed it. With the new Rupture 2 on the kick and bass drum synthesis side, and Impactor handling general-purpose percussion synthesis for kicks/toms/tonal, you have an ideal floor-rattling, punchy, snappy synthesis duo for Ableton Live.
DeafMan’s creations for Ableton Live have evolved from a selection of cool retro themes to a vast library of complete color makeovers — a “visual system.” And there’s an insanely powerful new editor for managing themes, tweaking colors, creating customizations, and assigning color to tracks. It’s more than just customization: it’s a way of thinking about your workspace and music in hues and shades.*