If you pick up the new Roland Boutique Series TB-03, you get more than just an emulation of the squelchy 303 bass synth. As with the AIRA TB-3 before it, the hardware is also a sequencer. So that means it’s capable of creating basslines for the internal instrument – or external gear, too. What’s special about the new TB-03 is that it both recreates the classic original 303 sequencer, and introduces a new, modern “reboot” of the same. Now we get to see how they differ in a pair of videos released by Roland.
These days, various combinations of faders and touch sensors and grids of pads and buttons and encoders and knobs appear with cyclic regularity. We’re past the point of inventing the automobile – we’re down to tuning particular cars for particular tasks. But what do you want to use if you’re really playing live? Maschine Jam is a combination of software and hardware that focuses on that scenario. We’ve met with the team that built it at Native Instruments and have our own unit in now to test, so here are some first impressions.
The ZOOM ARQ AR-96 can be filed confidently under “wha?” in the annals of music tech. It’s a round, all-in-one groovebox with drum machine, loads of patterns and sounds, and synths. Oh yeah, and there’s a rechargeable, detachable doughnut/frisbee, uh, thing, which has velocity-sensitive touch sensors and responds to orientation so you can wave it around. Basically, it’s insane. But as at least one friend of mine suspected, it could also be insanely fun. No English-language reviewers could really do this thing justice. No, for that we turn to musictrackjp – who do better demos, anyway. Sure, 97% of CDM’s …
The Zaquencer is a gift – an insanely powerful step sequencer that turns a used Behringer BCR2000 into a completely new piece of hardware. It’s a testament to the ingenuity of the underground music tech community – and a glimpse of how gear can come back to life rather than get thrown away. And now, it’s more powerful than ever.
Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.
Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.
I am a damp rag of exposed flesh, my limbs ill-defined blobs drifting in some undetermined direction as I float through space – wet steak in a wormhole. But then there’s a parade of translucent boxes against this surrealist-nightmare distorted planet, and a triumphant series of chime rings out. A clear pattern is articulated from the murk, a rhythm emerging from the disarray. No, no – hold on, don’t stop reading, I’m fine. I am actually describing to the best of my ability the experience of using one #$(&*ing insane browser music toy created by our friend Sam Rolfes. It’s …
Remember 1995? Computers onstage were still a comparatively risky proposition – often relegated to MIDI, more prone than today to instabilities, and absent today’s DJ and live performance apps. Monolake, which is now just Robert Henke, was both Robert Henke and Gerhard Behles. (Gerhard is now plenty busy being CEO of Ableton.) And then there was Monolake’s PX18 sequencer, a step sequencer – cum – timeline with loads of interesting tracker-style and mathematical-musical features.
There are plenty of hardware step sequencers out there. But now Arturia has a compact entry friendly to keyboardists. This isn’t about dialing up melodies with knobs. It assumes you actually know how to find melodies on some keys. Clearly building on the success of the BeatStep Pro sequencer hardware, Arturia’s Keystep is a keyboard with both step sequencer and arpeggiator modes. And Arturia has given CDM an exclusive first peek, to share with you.
For a lot of us, hands-on sequencing control is a boon to playing, even alongside a computer. So then there’s the question of which sequencer. The reason Arturia’s BeatStep Pro got so interesting this year is that it’s a right-down-the-middle option: not too expensive, not too complicated, and not too weird, but very capable of driving the essential stuff you’d want to sequence. Bassline, some drums, maybe a lead – in whatever genre you happen to use – it’s covered. So, that was all good enough. But what’s been impressive as the year has gone on is that Arturia haven’t …