For over two decades, Rafael Anton Irisarri has been carving out a space that exists somewhere between the tectonic weight of modern classical and the vaporous drift of ambient music. Whether recording under his own name or as The Sight Below, Irisarri’s work is characterized by a physical sense of scale – soundscapes that feel like they have weather systems and geological history.
Read moreI won’t mince words about the year – on a global scale, things seemed to be falling apart. I’ve likely been to more protests and rallies in 2025 than since before COVID. But we have each other, and we have empathy, and we do what we can.
On the heels of Steep Stims, Clark’s latest full-length, we spoke at length about piano delusions, seriousness and play, film scoring, repetition, hardware, live performance, and the strange necessity of cultivating “friendly parasites” in the creative process.