Arvo Pärt’s music is always spare and gorgeous, inspired by Medieval counterpoint and voicings, and you’d expect it to be such on any instruments. But here, you get something truly unique: a transcription of the composer’s ‘Fratres,’ normally played on string quartet, on a mixer.
The no-input performance uses exclusively tuned audio feedback to generate sound, creating an almost vocal quality to ringing timbres generates entirely in the mixer.
Camera : Jimmy Hayes
Console : Christian Carrière
Research residency, Summer 2011
OBORO, Montreal, Canada
Console : Allen&Heath GL2400-40
Thanks to Claus Frostell of Erikson Pro, who lent me the console, which made this project possible. eriksonpro.com/
The project is the work of experimental musician Christian Carrier, a Montreal-based sound artist and composer.
Thanks to Gregory Taylor and Todd Reynolds, among others, from whom I found this on Facebook.