“U Get Me”? Yes. Out today, Friday, Loraine James’ newest LP It’s Nothing Personal. is the kind of massive, glitchy percussive syncopation I would want to use to break in an excellent, brand new pair of trainers. Then comes deep bass, explosive rhythm, and heart-skipping vocals. (“Oi!”)
Read moreIt Will Take Forever moves through emotions in swells, as if pulling us through feelings. Composed and played live on modular synths from 2023 to 2025 in Beirut, Jad Atoui’s work almost sings grief through those electronics, in a world being ripped apart. Behind it, club-sized sub-bass impact rumbles like our own bodies. There’s now a video by Ralf Moussa, as well.
KORG’s phase8, engineered by the skunkworks office in Berlin, has found some visibility. But what does it mean as an actual electroacoustic instrument? What’s it like to play? My Lemonade Stand video from Superbooth is out, along with others, so I thought I’d do some reflection