Oberheim OB-X8 is now a desktop module, in new edition of one of the best synths today

The all-analog-signal path, classic OB-X8 is now a desktop module. It’s a perfect synth: OB-X, OB-Xa, and OB-8 in one instrument, with all the Page 2 extras, and the sounds that made 1999 by Prince, among others.

There’s not much more to say about the OB-X8 desktop. Take one of the best synths currently on the market, and make it accessible to more folks with a walnut-cheeked desktop case. Sounds pretty good to me. That fits in 4.34 kg (9 lb, 9 oz) and 55.88 x 21.59 x 10.16 cm.

Specs:

Hardware

8-voice pure-analog polyphony
Two discrete OB-X/SEM-lineage VCOs per voice deliver classic punchy Oberheim tone
Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence

Genuine Curtis filters add bold OB-Xa/OB-8 character
Meticulously modeled envelope responses match each OB model: OB-X, Ob-Xa, and OB-8
Bi-timbral capability allows two presets simultaneously for splits and doubles
400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, Ob-Xa, and OB-8
Integral fan-less, heatsink-free power supply

Real walnut end cheeks
High-resolution OLED display enables patch management and easy access to advanced features

Enhancements

Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter

Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments
Velocity response adds expressiveness to volume and filter
Channel Aftertouch response adds real-time performance-based modulation
Enhanced unison allows variable voice stacking from 1-8 voices
Programmable per-voice pan allows wider stereo presence