You kneed KNAMM knobs. The Metasonix Wretch – photo (CC-BY-SA) Brandon Daniel. I sure hope we can look forward to Metasonix at NAMM – stuff that makes me love NAMM from someone who doesn’t. Trade shows aren’t what they used to be. For those of us who love music technology and the spirit of invention, […]
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Spreadsheet as Music Tracker-Sequencer, with LibreOffice (nee OpenOffice)
Look at a music software interface – particularly a tracker-style interface – and you might easily see something resembling a spreadsheet. So, why not gaze into the cells of a spreadsheet and begin to imagine music? Karlsruhe-based electronic artist and programmer Patrick, cappel:nord, had just such a flight of fancy about office software. He explains:
Read more →$679 Minitaur: A Moog Analog Monosynth for the Rest of Us, Soon (Photos, Video, Flame Bait!)
Look past the plug-ins and controllers and hosts that work with controllers and iPads sitting in docks and such. If you like dedicated, analog monosynth hardware, life is actually pretty darned good. Okay, so for those of you without deep pockets, you may not know some of the back story here. Moog’s limited-edition Taurus 3 […]
Read more →Akai Tries for MPC Renaissance with Controllers, New Software
Looks like an MPC. Should sound like an MPC. But for the first time, something called “MPC” that relies on your computer. Good news or bad news? We’ll know soon enough. The MPC name and MPC legend are as big as ever. But the current products? Not so much. Let’s face it: Akai could use […]
Read more →Rediscovering 2011’s Music: Ganucheau’s 2011 CDM Mix, SoundCloud-able, from the California Coast
As the sun sets over CDM contributor Matt Ganucheau’s Bay Area home, we gaze back into 2011, with a mix of music you can enjoy through another year. Photo courtesy Mr. Ganucheau. You’re back from (for many) holidays, back online, back at work, facing or embracing a new year. What better time to energize your […]
Read more →Projection Mapping for a Cause: Obscura's Cube of CO2
CO2 Cube from Obscura Digital on Vimeo. It’s an older project, but no less timely: speaking of Obscura Digital’s work, they’ve also employed projection as a way to illustrate in tangible terms a serious issue. You’ll hear climate scientists speak in terms of metric tons of emissions. But because we can’t see those emissions, and […]
Read more →Projection Mapping for a Cause: Obscura’s Cube of CO2
CO2 Cube from Obscura Digital on Vimeo. It’s an older project, but no less timely: speaking of Obscura Digital’s work, they’ve also employed projection as a way to illustrate in tangible terms a serious issue. You’ll hear climate scientists speak in terms of metric tons of emissions. But because we can’t see those emissions, and […]
Read more →United Arab Emirates Architecture Brought to Life with Light; Behind-the-Scenes Details
Sheikh Zayed Grand Mosque Projections from Obscura Digital on Vimeo. Illuminating the facades of United Arab Emirates mosque and historical architecture with extraordinary imagery, Obscura Digital transformed these structures with visuals both decorative and cultural. It’s a visually-rich celebration of Arabic and Emirati culture, and one of the developers – absurdly-prolific artist and geek virtuoso […]
Read more →The 10 Most Popular Stories on CDMotion in 2011: Our Augmented World
In code and 3D models, in live visual performance and augmented architecture and dance, in VJ sets and futuristic 3D demos, shows and games, visualism extended to new ways of transforming perception. For just one slice of what happened this year, entirely by the numbers, here are the stories that scored the most page views […]
Read more →2011 in Review: CDM’s Top 30 Most Popular Stories – The Envelope, Or Analytics, Please!
2011 has seen sweeping changes in technology and music, alongside the loss of titans Max Mathews and Tsutomu Katoh, two pioneers of our world. Some of these stories passed quietly; some with great fanfare. Here, we reveal those stories that attracted the greatest number of Internet eyeballs, a metric not necessarily of importance but certainly […]
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