Trinity, the folks who have been pushing the notion of a Linux-based handheld audio studio for some time now, have launched a full product today. It’s called the Indamixx Mobile DAW, and it’s a full software studio running on Samsung’s Q1 Ultra (formerly known as an Ultra Mobile PC). In fact, it might more accurate […]
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The Album, Reborn Digitally – Much, Much, Much Longer
Many musical luminaries have warned that the MP3 single is the death of the vaunted album format. The idea is people will listen to single tracks instead of whole albums. Don’t tell that to Harry Pyle (seen at right, promoting the hard-edged stereotype of accordion players). Far from gravitating to the single, he’s made […]
Read more →Fast, Deep Control: Midi Automation Prototyping in VDMX
I’ve just posted a video to Vixid.Noisepages investigating the VJX’s Crop effect. Vixid Crop Effect Automation from Create Digital Media on Vimeo. Music by pornophonique. The movements in this video were controlled via VDMX (site | CDMo tag). I’ve been really enjoying VDMX’s modular interface as a method for quickly prototyping and testing midi control […]
Read more →More Generative 3D Forms, Coded and Physical, from Martin Böttger
I was a bit remiss in not contextualizing Martin Böttger’s work with his other generative 3D forms. I’ve been thinking a lot lately about the potential of 3D – not because I’m especially talented with it, quite the opposite. I’m drawn to the expressiveness of 3D the way someone longs to play a cello. Martin […]
Read more →More Generative 3D Forms, Coded and Physical, from Martin Böttger
I was a bit remiss in not contextualizing Martin Böttger’s work with his other generative 3D forms. I’ve been thinking a lot lately about the potential of 3D – not because I’m especially talented with it, quite the opposite. I’m drawn to the expressiveness of 3D the way someone longs to play a cello. Martin […]
Read more →Reminder: HOPE “We Are Hacks” A/V Event Tonight; Listen to HOPE Online
Tonight, musical and visual artists converge for an evening of live performance at the HOPE hacker conference in NYC, 11p – 2a. Hope you can make it there, New York area peoples. There are other ways of joining the event (and the rest of the HOPE conference): IRC Channel — irc.oceanius.com #radiostatler And for live […]
Read more →An Ableton Live-Friendly Remix: Martin Brothers Dancetracksdigital Contest with “Dum”
It’s amazing that, even today, relatively few artists release stems when they want to encourage remixes. A new remix contest with The Martin Brothers’ new track “Dum,” on the Dirtybird label, goes further, by providing not only individual stems, but a full-blown Ableton Live set, completely with warping parameters and even some plug-in inserts. That […]
Read more →Toronto Patching Grudge Match: Pd and Max to End Niceties and Fight to the Death
Preparing for battle: it’s all in the mind. Photo: Aaron Landry. Two modular patching software packages for programming multimedia software visually, Pure Data (Pd) and Max/MSP/Jitter have long had a friendly relationship. The tools share code, are reasonably compatible in patches and external objects (sometimes with some adjustment), and are basically open source (Pd) and […]
Read more →Delia Derbyshire Recordings Found, Including Ahead-of-its-Time Dance Track
Here’s some very good news from the UK: pioneering electronic music composer, sound designer, BBC Radiophonic virtuosa and Doctor Who theme creator Delia Derbyshire left us more recordings than previously thought. Some 267 tracks of music and documentation were found in her attic. The Radiophonic Workshop’s Mark Ayres – who has been single-handedly leading the […]
Read more →Audiovisual Inspiration: Agriculture Gone Electronica, in TRACTOR
TRACTOR from tsaworks_martin Böttger on Vimeo. Composer/electronic musician Bruno Dias sends us his latest collaboration, with visualist Martin Bottger. It was a distance collaboration – so just the kind of thing you could be working on with musicians and visualists you know. Bruno writes: We never had the opportunity to meet face-to-face and this work […]
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