Joshue Ott, media artist and designer and the visual developer of Thicket for iOS, joins us for a special guest post. First, he shows off the ability of the iPad 2 for full-blown, better-than 1080p HD output, at native 1920×1200. For developers, he also demonstrates how to get the same results. Why does this matter? […]

Two spacey ways of finding media: music collections, heirarchy, and images of planets in Planetary for iPad, top. Sound and loop collections, “magnetic” relations, algorithmic categorization, and rapid torchlight auditioning in Soundtorch 2.0 for Windows, bottom. If your music and sound collections seem like outwardly-expanding universes, two new tools promise to bring order by representing […]

Renoise 2.7 is now available, following some eight weeks of testing by the community. The update, which the developers describe as “back to the beats” in reference to focusing in this release cycle on musical workflow, delivers plenty of features that make the modern tracker more modern. I wrote about them back in March, with […]

Mobile-based music can mean a chance to do more with less, but that hasn’t stopped lovers of production on the iPhone and iPad from wanting to move ideas between apps. So, you’ve got a great bassline … if you could just combine it with that vocal sample, and then finish a track… That presumably explains […]

Nick Francis poses with his DIY, wooden controller – good enough for jazz. Photo: Justin Steyer for Seattle’s KPLU radio. In a world of disposable computers and electronics, making something “custom” is an antidote to throwaway hardware, a way of putting one’s own handiwork, care, and attention into the object with which you play music. […]

Digital musician and artist Josh Silverman began the Synplode process with something familiar – a checkerboard. Play a game of checkers on its computer vision-equipped playing field and beats and loops triggered in Ableton Live generated a responsive soundtrack for the game. But as it’s evolved, Synplode has become a general-purpose musical grid. Whether with […]

What started as an inside joke has become something of a compulsive faux pas: the Wilhelm Scream, a canned shriek that was first cleverly inserted into films as a wink and a nod between sound designers, has gotten a bit out of control. At least some sound designers are now disguising their Wilhelm Screams. But […]

As Max for Live matures, Ableton is working to convince more people to try this open-ended tool – and creations built for it – as a way of extending the experience of using Live for performance and production. For years, music software has focused on trying to do everything you need, to be a solution […]

The question of how to build controls to fly today’s live laptop music sets – whether “DJ,” “live PA,” or something else – remains open. We’ve got an inside look at the newest entry, the most recent device to explore just what should be mapped and tactile, and what should be left behind. Amidst various […]

Kinect hackery is cool, and its principle advantage is in its ability to allow multi-user interaction in space. That is, it’s killer for installations. That would make it a natural for Burning Man-based interactive art. The only problem: fancy Kinect camera, meet desert sandstorm. Open-source Kinect hacker Matt Bell decided not to wait until getting […]