This story has been updated based on an FAQ and official response to CDM from the Cornell University Library, responding to some of the concerns. The not-for-profit Bob Moog Foundation has been working since the synth pioneer’s death to restore and make accessible his archives, undertaking preservation efforts, mounting exhibitions, and recently acquiring a space […]
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From Apple, No Lack of Commitment to the Mac, Pros, Creation [WWDC]
Here’s a quick way to sum up the revelations in today’s Apple event: “Oh, so that’s what was keeping them.” It’s certainly true when it comes to OS X and the long-awaited Mac Pro. Critics of Apple and concerned loyal users have worried that the growing success of iOS and consumer platforms would erode support […]
Read more →On Hacking the New Kinect
Will the new Kinect be hackable for artists and developers? Some of the best speculation I’ve seen yet actually shows up here in CDM comments. So, it’s worth elevating this to a news story, just in case you missed it. In short, the answer appears to be yes. I’m hopeful in particular for Microsoft’s own […]
Read more →Biostagog: Fluid Cellular Architecture Combines Mapping, Responsive Interaction [Gallery]
BIOSTAGOG from Platige Image on Vimeo. When futurists dream of fluid architecture, more digital image than brick and mortar, this is one element of what they mean. From Warsaw, Poland comes a project combining algorithmic design, 3D-printed surfaces, and interactive motion turned into projection-mapped image. Yep, that ticks all the buzzword boxes. But the upshot […]
Read more →Creative Coding, Evolved: Processing Nears 2.0 Release With Hot-Looking Beta 9
There’s a reason for Processing’s popularity. By making code simple, elegant, and direct, and catering directly to the kinds of visual ideas creative people have, the environment has made programming accessible to artists and designers in a way nothing else could. Coding no longer has to be a source of fear, or a bad word. […]
Read more →Bleeding-Edge Musical Innovation, Live from CCRMA; Full Report, Monolake + Tarik Barri Live
Ivory tower, let down your hair. Make no mistake. The slightly-impossible-to-pronounce acronym CCRMA (“karma”), standing for the not-terribly-sexy “Center for Computer Research in Music and Acoustics,” is one of the world’s hotbeds for innovation in electronic music. From the lowest-level DSP code to the craziest live performances, this northern California research center nesting at Stanford […]
Read more →How an “Acoustic Synth” Wants to Change The Way You Think About Guitars [Videos]
It’s been a long time since we had a new hit like the electric guitar. Amidst the wonderful explosion of innovations in electronic instruments – digital and analog – the sound possibilities of acoustic and electro-acoustic instruments seem to have gone largely dormant. This is the guitar that hopes to change that. In fact, its […]
Read more →SoundCloud More Affordable for Creators, As Service Attempts Balancing Acts [Analysis]
We hear some pretty clear messages from CDM readers about SoundCloud. One, almost all of you seem to have some criticisms of it. Two, almost all of you appear to use it, complaints or none. Even as other services remain valuable, SoundCloud is practically its own category. (In fact, the level of detail about those […]
Read more →Century of Sound: 100 Years After Russolo’s “The Art of Noises”
Today, the 11th of March, is the one hundredth anniversary of “The Art of Noises,” the seminal letter written by Italian Futurist painter Luigi Russolo. That letter became a manifesto for what was then a radical document, suggesting a new approach to sound and music. In it, Russolo cautioned that “the art of noises must […]
Read more →What Does it Mean to Be an Electronic Instrument?
The electronic music analog to visual media’s question “is it art?” is clear. “Is it really a musical instrument?” Ableton will this week officially launch its Push hardware with Live 9; we’ll have an online exclusive review alongside that release. I know that the company is fond of calling it an “instrument.” For a profile […]
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