Renoise 2.7 is now available, following some eight weeks of testing by the community. The update, which the developers describe as “back to the beats” in reference to focusing in this release cycle on musical workflow, delivers plenty of features that make the modern tracker more modern. I wrote about them back in March, with […]
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AudioCopy + ReBirth: For iOS Users, Music Making Goes from App to App
Mobile-based music can mean a chance to do more with less, but that hasn’t stopped lovers of production on the iPhone and iPad from wanting to move ideas between apps. So, you’ve got a great bassline … if you could just combine it with that vocal sample, and then finish a track… That presumably explains […]
Read more →A Controller Love Supreme: Beautifully-Crafted Wooden Jazz Controller with Ableton Live
Nick Francis poses with his DIY, wooden controller – good enough for jazz. Photo: Justin Steyer for Seattle’s KPLU radio. In a world of disposable computers and electronics, making something “custom” is an antidote to throwaway hardware, a way of putting one’s own handiwork, care, and attention into the object with which you play music. […]
Read more →Bugs on the Game Grid: Synplode Makes Step Sequencing Tangible for an Interactive Dance Floor
Digital musician and artist Josh Silverman began the Synplode process with something familiar – a checkerboard. Play a game of checkers on its computer vision-equipped playing field and beats and loops triggered in Ableton Live generated a responsive soundtrack for the game. But as it’s evolved, Synplode has become a general-purpose musical grid. Whether with […]
Read more →Way, Way, Way Too Many Wilhelm Screams
What started as an inside joke has become something of a compulsive faux pas: the Wilhelm Scream, a canned shriek that was first cleverly inserted into films as a wink and a nod between sound designers, has gotten a bit out of control. At least some sound designers are now disguising their Wilhelm Screams. But […]
Read more →Music Patchwork: Ableton Makes Max for Live Cheaper, Showcases Creations by Henke, Hawtin, More
As Max for Live matures, Ableton is working to convince more people to try this open-ended tool – and creations built for it – as a way of extending the experience of using Live for performance and production. For years, music software has focused on trying to do everything you need, to be a solution […]
Read more →Novation + Serato Touchstrip Twitch; Pics + Inside Details on the DJ ‘Controllerist’ Collaboration
The question of how to build controls to fly today’s live laptop music sets – whether “DJ,” “live PA,” or something else – remains open. We’ve got an inside look at the newest entry, the most recent device to explore just what should be mapped and tactile, and what should be left behind. Amidst various […]
Read more →Could You Use a Kinect at Burning Man? Experiments Test the Idea
Kinect hackery is cool, and its principle advantage is in its ability to allow multi-user interaction in space. That is, it’s killer for installations. That would make it a natural for Burning Man-based interactive art. The only problem: fancy Kinect camera, meet desert sandstorm. Open-source Kinect hacker Matt Bell decided not to wait until getting […]
Read more →A Kinect-Based Instrument; Polyphonic Theremin, No April Fool’s Joke?
It’s hard to assemble an April Fool’s Joke involving technology these days, because actual inventions keep proving stranger than fiction. When Google created a prank involving gestures for controlling email, it was only a matter of time before someone whipped up a prototype that actually did the job. The Moog Music company, therefore, may be […]
Read more →Music from Numbers: An Eclectic, Free (CC) Compilation of Numbers Station-Inspired Tracks
Photo (CC-BY) Chris M, of a Very Large Array. Number stations, making their appearance in the post-war radio landscape, were shortwave radio stations of streams of symbols, mysterious to their listeners and apparently code. Here, the idea of lost and indecipherable broadcasts inspires a wonderfully-varied collection of reflective artists, in a free, Creative-Commons licensed compilation […]
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