If you aren’t quite ready to delve into the mysteries of granular synthesis and code, a colorful interface guides you through playing in Ableton Live. Granular synthesis… you’ve heard it before. Famously articulated by experimental composer Xenakis, the process of slicing up sound into tiny bits and reassembling it has produced everything from lovely (or […]
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In a Free Album, Community-Shared monome Samples Shine (Video and WINE Tips)
From the intrepid grid-playing monome producers comes a whole bundle of goodness: a free album, and along with it, a nice video that illustrates what’s happening on some of the tracks, some reflections on how 15-second samples can bind together a community of music makers, and even, as a bonus, some tips on running Windows […]
Read more →Guerilla Sculptural Visuals: An Intervention with Sol LeWitt, a Backpack Projector
Buckle up and project: that was the mission of a group of art “interventionists”, firing guerilla projections at the public installation of artist Sol LeWitt in Manhattan’s City Hall Park. The weapon of choice itself is one of interest: a self-powered mobile projection rig means live visuals can appear anywhere. The production team describes the […]
Read more →CDM + Handmade Music Lounge at Solid Sound: Meet These Sonic Builders, in 11 Noisey Videos
The Swarmatron, made infamous by The Social Network, is just one of the crazy sonic creations we’ll be seeing this weekend. Photo credit: Joshua Sarner. This weekend in North Adams, Massachusetts at MASS MoCA, the band Wilco is gathering their very own music and arts festival, Solid Sound. It’s become a real oasis of unique […]
Read more →As a Wooden Tangible Sequencer Plays Bach, Meditations on Encoding Music
You may have seen it already as it makes its viral rounds, but an advertising video for Japanese mobile giant NTT Docomo is a poetic model of how musical events are encoded, whether through means tangible or digital. A track of pitches makes a wooden ball into a mallet, traversing a track as it is […]
Read more →Teenage Engineering OP-1: Hands-on Video, Thoughts from One Beta User
Teenage Engineering’s hotly-anticipated synth / music-making hardware OP-1 finally got an official release last week. Early stocks promptly sold out, but new waves of deliveries should refresh availability. We’ll have more from TE on the launch and the instrument soon. In the meantime, you can thank early-adopter Ludwig Mueller for being brave enough to post […]
Read more →Les Paul Google Doodle, Animated – and Scripted with SuperCollider
Electric guitar pioneer Les Paul is one of the all-time greats in music instrument invention, so the guy clearly deserves an animated Google Doodle of his creation that you can play. Strum chords, pluck with the mouse, and even record phrases on Google’s homepage. (See video, above.) Since Google Doodles are archived – and since […]
Read more →Weekend Listening: Cinematic Sonic Treats from Phoenecia
If you’re looking to give your ears one last adventure this weekend, I highly recommend the stream of an upcoming full-length from Joshua Kay and Romulo del Castillo, recording as Phoenecia. On Josh’s Schematic label, the work hits the far reaches of electronic sound design, in an always-satisfying, soundtrack-like tapestry of musical exploration. It has […]
Read more →Shake It Like Euclid: Grooving Patterns, Open Source Tool, Now Sends MIDI – Watch
There’s something about symmetrical rhythms, it seems: through the power of math, these rhythms sound really good. We’ve looked a couple of times before at the spread of the Euclidean Algorithm for producing rhythms; see below. Wouter Hisschemöller has updated what began as an in-browser Flash tool to build an free and open source, Java-based […]
Read more →End of Train Device, New Album from Your Editor, and an Experiment in Releasing Music
A closer look at Richard Bailey’s artwork, made in paint, and not digital. Yes, I create digital music, too. One of the things I’ve loved about CDM is the chance to share music making, from the construction of the tools to the production of performances and recordings. If that’s all we ever get out of […]
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