Surprise! We get a second free Robert Henke device for Ableton Live Suite, built in Max for Live. And this one is inspired by 60s techniques of Andy Moorer and Manfred Schroeder, and eminently hackable if you’re ready to dig into the patch. It’s “not exactly a realistic room simulation.”
Read moreHow do you improve upon a sound that is already shorthand for noises that melt audiences’ faces off? And how do you revisit sound code decades after the machines that ran it are scrapped? We get a chance to find out, as the man behind the THX “Deep Note” sound talks about its history and […]