For the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.
Read moreData Knot is the best of AI and machine learning: low-latency, optimized, performance-friendly, responsive — a set of building blocks for gestures and sounds that you customize. Built on the Fluid Corpus Manipulation project (FluCoMa) by composer/artist and self-described “crazy person” Rodrigo Constanzo, it’s something else musicians and artists love, too: it’s free.
Deep in the annals of software’s virtual guts, its wires and nodes, what defines patching on the computer is that it’s eminently human. Perhaps in this age of instant results, that’s drawing a new generation to the manual, personal labor of computer construction. So now is a perfect time for Max-patching musician Tom Hall — and no one better to interview him than our friend David Abravanel.
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