For all the ubiquity of Unreal Engine, a small handful of people are pushing the envelope of what Unreal can do as an audiovisual tool. With years of effects and animation production work under his belt, Zack Berwick is uniquely creative and inventive with the combo – and he’s sharing his approach, using Ableton Live, Max for Live, MIDI, OSC, and UE.
Read moreThe latest book from Cycling ’74 promises to make deep rabbit holes navigable. Its mission: to boldly reveal the algorithms that are typically black boxes, in sound processing and synthesis and computer composition.
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