What could community and imagination in music making look like? Laurie Spiegel’s reflections on the 70s and earlier decades, recorded in 2014, offer some clues, even for a very different time today.
Read moreWhat good is music and music technology in moments of crisis and trauma? Beirut Synthesizer Center co-founders talk about just that – and how much it has meant to those not specializing in music as well as those who do. Now as this project grows, they’ve also had a chance to learn how to make projects effective and sustainable – lessons worth sharing in your part of the world, too.