If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but […]
Read moreIf projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but […]
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