When Ableton Live was first released over ten years ago, it was labeled a “sequencing instrument.” The radical idea was that you could “play” your production tool, which had (and has) big implications in studios, at home, and onstage. “Playing” with a mouse and keyboard is unsatisfying for most, so even that relatively primitive first […]
Read moreWhile Ableton’s logo is stamped on Novation’s Launchpad and Akai’s APC, there’s a lot to be said for the tried and trusted Faderfox as a controller for Live. The work of one man – German designer Mathias – these controllers run a bit pricier than some of their rivals but deliver great-feeling controls and ultra-compact […]
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