gadgetmac

Why KORG Gadget on the Mac is a big deal

Remember when some pundits thought we were all going to dump our laptops and switch to tablets and iPads? So – not so much. But mobile platforms are having a big impact on music software – and KORG Gadget, now making the leap from iOS to Mac, may be most emblematic of that. Who is KORG Gadget for? Well, sort of for everyone. Beginning users can find it a nice way to play around – and might well try this before desktop software. More advanced users are likely to find it an appealing set of tools, but would want to …

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steinwayno1

Now your Nord can sound like the very first Steinway, No. 1

The instrument was crafted, literally, in a kitchen in 1836 in Seesen, near Hannover. But it defined piano history. It’s pianoforte “Steinway No. 1,” built by Steinway founder Heinrich Engelhard Steinweg. And now its sound is inside more modern electronic keyboards, from Swedish builder Clavia. Clavia aren’t unveiling any new gear this week, but they do have two interesting new sound libraries. One is “Steinway No. 1.” There’s been a lot of effort between the original instrument and Herr Steinweg’s kitchen and you. Expert builder Chris Meane of Belgium got an exclusive authorization from the Steinway company to recreate the …

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screenshot_694

The demise of Keyboard Magazine, after 42 years

Keyboard Magazine will cease to exist as a publication, after having been continuously published since 1975. And this isn’t just another “print is dead” footnote. Keyboard was the publication that defined commercial writing about electronic musical instruments. And whatever the logic behind the decision, the demise of Keyboard says something about the state of both publishing and electronic music production – and its absence will be felt. Keyboard will be rolled into Electronic Musician, with only the EM name surviving. Gino Robair will continue as editor-in-chief of EM. This is truly the end of an era – an era Keyboard …

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screenshot_693

Send MIDI messages faster than ever, right from the command line

Quick! Send a MIDI control change message! Or some obscure parameter! Well, sometimes typing something is the easiest way to do things. And that’s why Geert Bevin’s new, free and open source tool SendMIDI is invaluable. Sorry to nerd out completely here, but I suspect this is going to be way more relevant to my daily life than anything coming out of NAMM this week. In this case, whether you know much about how to use a command line or not, there’s almost certainly no faster way of performing basic MIDI tasks. Anyone working with hardware is certain to want …

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ambeo-smart-surround

Sennheiser wants to bring 3D audio recording to the masses

The consumer electronic drive to high definition and virtual reality is having a curious, parallel impact on sound. And so it is that Sennheiser now want to market binaural recording to your average smartphone owner – really. Now, of course, the normal human perception of reality includes both visual depth perception and the ability to localize sound in a 360-degree sphere around the head. That is, provided only one’s eyes and ears are fully functional and each pair is intact, the human brain adapts to these perceptions. But “3D” visuals and “3D” sounds aren’t themselves directly connected in terms of …

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mpclive-large

The new MPCs in videos, including how those clips work

Following Akai’s announcement of the new standalone MPC models – MPC X and MPC Live – they’ve also released some videos. Sound on Sound has a walkthrough: And there’s the requisite promo film from Akai: It’s important to note that adding standalone mode here doesn’t mean taking away anything from the computer/hardware combo. The software on the standalone MPCs is identical to what was previously available via the controller — even besting it, thanks to the MPC 2.0 software launch. Plugged into your computer, you get all the advantages you’re used to. You can add plug-ins, control MIDI on the …

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The big'n.

Akai’s standalone MPCs revealed – and they could replace your laptop

Welcome to the post-PC drum machine age. After years of leaving fans of standalone MPCs in the cold, Akai have unveiled machines that promise the flexibility of computer software – minus the computer. Specs and photos went live on the Sweetwater website this morning with complete specs, and now are also live on Akai’s site. (I’m unaware of whether or not today was the date Akai intended to lift embargo, as CDM was never under one.)s http://www.akaipro.com/product/mpc-x http://www.akaipro.com/product/mpc-live The MPC Live is probably the one you want, in a compact form factor and with a not-insane US$1,199 street price. And …

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namm

What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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amulets

AMULETS shows how to make a tape loop out of a cassette

AMULETS is Randall Taylor, a one-man experimental looping ambient artist out of Austin, Texas who works with tape loops and guitar. And to start off the year, Randall wants to show you a key element of his technique – making tape loops from cassette tapes. Tape loops, as associated with the likes of Steve Reich, began mainly on reel-to-reel decks. Using a cassette means some more precise surgery. There’s the cassette housing to contend with, mainly – which means disassembling and then (importantly) re-assembling a delicate plastic case. And the tape itself is smaller, too – 0.15 inches rather than …

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nycskyline

New tools for free sound powerhouse Pd make it worth a new look

Pure Data, the free and open source cousin of Max, can still learn some new tricks. And that’s important – because there’s nothing that does quite what it does, with a free, visual desktop interface, permissive license, and embeddable and mobile versions integrated with other software, free and commercial alike. A community of some of its most dedicated developers and artists met late last year in the NYC area. What transpired offers a glimpse of how this twenty-year-old program might enter a new chapter – and some nice tools you can use right now. To walk us through, attendee Max …

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