Now we know the whole story: Arturia’s new synths come with a choice of keys or pads+more step sequencing – and there’s are companion RackBrute cases.
So, if you like the ‘Brute synths, now you can choose.
Prefer a keyboard? The MiniBrute 2 (without the letter ‘s’) now has 25 full-sized keys. And it’s got the new patch bay for modular routing, plus a competent step sequencer and arpeggiator.
But prefer pads to a keyboard, or want deeper step sequencing? That’s the MiniBrute 2S.
To either, you can then add two cases for expanding with modular, making the MiniBrute the center of a patchable sound workstation. That’s what “Arturia Link” is – not some proprietary new sync format or something like that, but actually a physical connector attaching the accessories. (It’s a fancy name for some fancy holes, basically!)
Let’s talk about the 2S, because it’s already upstaging the MiniBrute 2 for some people. Little surprise: a lot of people aren’t keyboardists, people who are keyboardists generally already own keyboards, and most importantly, Arturia’s BeatStep line of sequencers were already beloved. Cross-breed that step sequencing goodness with the MiniBrute, and we may have a winner.
The pads on there reduce the overall footprint, and provide velocity and continuous pressure sensitivity.
The step sequencer is three parts – so, since this is a monosynth, that means in addition to making on layer for your melodies, you have two additional layers for automating parameters.
Here’s a breakdown of how it works:
Sequence pitch, gate, and velocity – as per usual, and as on the BeatStep Pro – with ratcheting on gates if you so choose.
You can also set per-step glide.
There’s both a Mod 1 and Mod 2 tracks for adding layers of … other goodness.
So, Arturia tells CDM, you can use that track to generate envelopes and LFOs. Or you can make another Pitch track. Or a Gate track. Or an unquantized track of control voltages.
And naturally, this also is then patchable from the patch bay … or you can use this as a sequencer for external gear (including if you mount one of their new racks for your own modules).
It’s all very cool, indeed. Of course, you can still put a BeatStep Pro alongside a modular if you don’t care much for the MiniBrute synth. And indeed, I’ve noticed that Arturia piece glowing alongside modulars in many, many techno and experimental live acts lately – nice to see this inexpensive piece of gear next to racks of thousands of Euros/dollars worth of kit.
But this is also a powerful synthesizer meeting a powerful sequencer in one piece of gear, even without adding anything else. And if you do like the ‘Brute sound, then you get the usual edgy metallic timbres and filters, aggressive and wild knobs and modulation, and now the ability to expand your possibilities by patching. Having the sequencer built-in makes sequencing modulation and per-step settings easier, beyond just melodies – and you don’t have to pack an extra sequencer and cable.
So I suspect the MiniBrute 2S is going to find a lot of homes, whether it’s as a gateway to modular as Arturia are pushing, or as an equally strong choice for standing on its own or with other desktop gear.
Keyboardists will no doubt still like the arpeggiator and 101-style step sequencer of the MiniBrute 2, but the 2S stands out for programming patterns. Tough choice for those of us who do both – but Arturia’s done a nice job of focusing on what musicians want this round and gotten our gear year off to a rollicking start.
Pricing is $649 / EURO 649. Also shipping in February.
Loopop has a hands-on: