Yamaha is the one giant name that has mostly shied away from revisiting its past synth glory – but all that could soon be set to change.
For better or for worse, we live in an age of remakes and reboots. Oberheim and Buchla are back; Sequential Circuits is a name again (even if the instruments are new). Moog have reissued their Minimoog and their modular – even Keith Emerson’s entire rig. And two out of the three Japanese giants have reissued work-alike recreations – KORG the MS-20 and ARP Odyssey, Roland whole sets of their modular series along with TB-303, TR-808, and TR-909. (Sure, the Roland has digital modeling substituted for analog gear, but the fact is you could use their TB-03 by reading the manual from the original, even with its original sequencer mode.) These manufacturers are all going back through their own catalogs and original creators; then, of course, you also have Behringer additionally going after their work.
In all of this, Yamaha has mostly been the notable exception. The closest we’ve gotten to Yamaha even acknowledging its back catalog was the reface series, a set of mini keyboards with some hands-on control covering its FM synths, CS analog line, and electric pianos.
Of those three, I always thought the reface CS was the most compelling. Its faders do a decent job of distilling the hands-on feeling of the CS line into an ultra-compact form factor.
But that’s a far cry from the legion of hands-on controls the mighty CS-80 offers, or even the excellent duophonic CS-40M. (Actually, to me, the CS-40M would be ideal for an all-analog remake, much like the ARP Odyssey and MS-20 were – just shedding some of the physical bulk of the original.)
It seems Yamaha are digging into that. A thread on yamahamusicians.com suggests they want to take on their CS-80. Yamaha’s back catalog is immense and influential, but there’s nothing quite like the CS-80. To say it was a giant is to say it is both the instrument associated with Blade Runner and literally a 200-pound behemoth.
And now Yamaha wants to know a “basic conceptual direction if we were to make a new CS-80.”
Yamaha Idea Scale CS80 Questionnaire [thread on yamahamusicians.com]
As noted on musicradar
There’s some interesting discussion in that thread. Sure enough, people are open to digital recreations. Basically, don’t believe everything you read online; whereas loud-mouthed Internet trolls will scream and howl about digital modeling, these devices do well in the market. Roland’s recreations, for instance, have satisfied plenty of people with sound, and the digital modeling allows these devices to be not only inexpensive, but to run on battery power and to provide direct-digital (zero circuit noise) recording via computer.
I think the most intriguing comparison in that thread is to the Alesis A6 Andromeda. That instrument, still sought after online, heralded the return not just of analog but of one-to-one, hands-on controls – at a time when manufacturers forgot that musicians love turning knobs and moving faders.
I also think it’s worth noting that an avalanche of Behringer remakes have not appeared to dampen the desire of people to see remakes from the original manufacturers.
Yamaha make great, high-quality instruments, but it’s been a while since they were grabbing equivalent buzz – maybe not since the likes of the Tenori-On.
In the meanwhile, if you want an authentic CS-80 recreation, sell your car and get a Deckard’s Dream.
My guess is that Yamaha will not choose to go this route for cost, and that this ultra-luxury boutique instrument will remain your all-analog CS choice. It is absolutely the polysynth I would buy if I ever had, you know, money.
But could Yamaha pull off a digital remake in a smaller shell? Why not? They’ve already got deep workstation keyboards unlike anyone else’s; it’s about time they go Andromeda on those engines and give people more hands-on controls. They certainly have the manufacturing prowess to pull it off.