Mutable Instruments packed a lot of different sound models into a single module with Braids and “spiritual successor” Plaits. Learn what they do in these videos.
Émilie’s work in modular is some of the most innovative of recent instrument designs. Braids and the later Plaits are so deep, in fact, that they can seem a bit like cheating – like the sound design work is already done for you in that engine. But that’s before you begin to appreciate the simplicity of the interface, on one hand, and the flexibility of being able to dial in entirely different models. Plaits and Braids break with the uni-tasker tendencies of modular; they can shift into very different roles in different patches. See the original source:
Actually, sorry for saying that if you were trying to haggle down a used price. (Maybe complain about teal and French rose as colors? Dunno.) But it’s also worth noting that even if you don’t have a rack and hardware, you can explore the possibilities of these modules. Braids
But even as someone who does like reading,
It’s worth noting that this isn’t MK1 and MK2 so much as two really distinct takes on the idea, each built from scratch, and each with its own character and musicality.
Omri Cohen has built a whole series of episodes around the original, Braids.
Hat tip as ever to Synthtopia.
Check the full playlist – it’s an epic series. (Too much Civil War talk. “Dearest, it is now the 34th day I have been tweaking this patch, and I fear I may never return to our warm bed again…”)
The excellent and prolific YouTube channel “VCV Rack Ideas” has been covering Plaits. And just as you could translate the Braids series above from hardware to software, you can do the reverse and apply the VCV Rack notions to your physical rig.
Here are 15 tips and tricks:
There’s even a specific idea around melodic techno:
And, actually, bonus, let’s throw in my personal favorite Clouds even though I didn’t mention it in the headline. It’s a wonderful granular audio processor, and I imagine we’ll all be overusing it in this version when VCV Rack finally has a proper VST plug-in implementation, too:
It’s good stuff. And it’s been wonderful to watch Émilie’s embrace of open source lead to variations and twists. It’s something I talked about a lot with open source, but rarely got to witness in action – and it’s encouraging.
Speaking of which, if you’re doing interesting things with either the technology here or you’re particularly pleased with your musical results, and want to share tips or sounds, do get in touch.