Shelâl by Odiv from south Iran opens a portal to local ghosts

Peter Kirn - October 27, 2025

ZULI, as Swag Lee, turns Egyptian MP3 fragments into dizzying hip hop

Peter Kirn - October 24, 2025

Data Knot for Max is machine learning as musicians want it: human-focused

Peter Kirn - October 23, 2025

Panel: liberating music technology for Arabic music and beyond

Peter Kirn - October 21, 2025

Inside Kyiv’s hackerspace, a growing DIY synth and experimental noise scene

Peter Kirn - October 16, 2025

Boards of Canada played in lightbulbs: restored 1959 PDP-1 performance

Peter Kirn - October 13, 2025

Tom Hall on Trip Computer, computer music on vinyl, and that “Max Sound”

David Abravanel - October 13, 2025

Support Filipino music and relief for Northern Cebu earthquake – let’s go

Peter Kirn - October 8, 2025

In 1975, BBC spelled out how MUZAK — and musical power – worked, maybe

Peter Kirn - October 3, 2025

Premiering now, Fake Lines: Sono Levant reconnects what was divided

Peter Kirn - September 25, 2025