As crisis continues, albums bring Turkey and Syria earthquake relief

Peter Kirn - March 3, 2023

Music or weapon: artists inside and outside Ukraine reflect on creativity in times of war

Peter Kirn - February 24, 2023

Endorphin.es Ghost review: a landmark reverb, distortion, dynamic, multi-FX module

Peter Kirn - February 17, 2023

Here’s how to help after the earthquakes in Turkey and Syria, and how music is responding

Peter Kirn - February 12, 2023

USA set to more than double fees for artists in visa rate hike – but there’s a chance to act

Peter Kirn - February 10, 2023

Teenage Engineering OP-1 field review, not a review: in the field, on an album

Andreas Roman - January 12, 2023

Vocal techniques in Ableton Live, with superstar artist and teacher Claire Marie Lim, dolltr!ck

Peter Kirn - January 11, 2023

Resolutions: The music from 2022 that stayed with us and kept us coming back

David Abravanel - December 31, 2022

At Black-led Willie Mae camp, music tech exploration starts at age 5 – interview

Peter Kirn - December 31, 2022

Deep dive on UNO Synth Pro: Complete guide to sound design and performance

Peter Kirn - December 29, 2022