Inside Kyiv’s hackerspace, a growing DIY synth and experimental noise scene

Peter Kirn - October 16, 2025

Guide: Create unique effects with Max for Live and Ableton DSP objects (pt. 2)

Peter Kirn - October 14, 2025

Tim Exile’s Finalist mixes and masters creatively, colorfully — with no AI

Peter Kirn - October 14, 2025

Boards of Canada played in lightbulbs: restored 1959 PDP-1 performance

Peter Kirn - October 13, 2025

UZU is a new rubbery spectral smearing phaser effect from CRQL, Ewan Bristow

Peter Kirn - October 11, 2025

A new Bucket Brigade Delay chip just dropped, the first in decades

Peter Kirn - October 10, 2025

Two by two: microKORG2 2.0 splits, slices, rewards — and does Sinevibes

Peter Kirn - October 9, 2025

Audacity 4: a glimpse of a new, more modern UI for the free audio editor

Peter Kirn - October 6, 2025

Akai MPC Live III: expressive pads come to the MPC grid; $1699 with new core

Peter Kirn - October 4, 2025

What to know about the Roland TR-1000, from voices to slicing to samples

Peter Kirn - October 1, 2025