What would a module behave like if it were built entirely around feedback – say, like one of those “zero-input” all-feedback mixer performances? Bastl Instruments teams up again with Peter Edwards to answer that question. The result: Dark Matter.
Music
Interview: Michael Vincent Waller connects concert music and hip-hop
Music Stories December 26, 2024
Live radio from Gaza, Khan Younis and Bethlehem-Hebron choirs meet
Music December 24, 2024
Liz Pelly’s Spotify book reveals how company uses ghost content
Music Tech Web December 19, 2024
Resident Advisor shuts down comments; what’s the forum for non-toxic chat?
Resident Advisor announced today it’s shuttering comments on its site, closing on-article commentary on one of the world’s leading venues for electronic music information.
What could make APC Live, MPC cool: Akai’s new software direction
Akai tipped their hand late last year that they were moving more toward live performance. With APC Live hardware leaked and in the wild, maybe it’s time to take another look. MPC software improvements might interest you with or without new hardware.
APC as standalone hardware? Leaked Akai APC Live
It’s what a lot of people wanted – an MPC crossed with an Ableton Push – which could mean it’s too good to be true. But the APC Live leaked in images looks viable enough, and it could signal big changes for electronic performance in 2019.
A year overflowing with electronic sound: 2018 music we loved
Happy weird rockin’ New Year’s Eve. In a continuing tradition, CDM invites back resident music curator David Abravanel to single out some beloved music of 2018. We live in fortunate times; that job is deliciously hard. But it’s a chance to discover and rediscover some great sounds. Without exaggeration, I cannot remember the last time […]
Mix up a year in music, with a guide to weird, under-the-radar Poland
Oramics, the DIY collective run by and focusing on women, local, and queer artists, have put together an all-hands mix and a guide to everything wild and wonderful from Poland and beyond. You can’t pick a better way to end 2018 than with strange, new, and different sounds.
More surprise in your sequences, with ESQ for Ableton Live
With interfaces that look lifted from a Romulan warbird and esoteric instruments, effects, and sequencers, K-Devices have been spawning surprising outcomes in Ableton Live for some time now. ESQ is the culmination of that: a cure for preset sounds and ideas in a single device.
When music takes us between pain and peace: Dimension Series mixes
Music can be wallpaper and fashion and groove and all those things – and sometimes those things are grand. But music can also be a torch to help us see out of the dark. The Dimensions Series of curated mixes this year took on those themes of metamorphosis – and how to find ways out […]
Your questions answered: Sonarworks Reference calibration tools
If getting your headphones and studio monitors calibrated sounds like a good New Years’ Resolution, we’ve got you covered. Some good questions came up in our last story on Sonarworks Reference, the automated calibration tool, so we’ve gotten answers for you.
Turbocharge KORG’s Prologue synth with Sinevibes
Synth hot-rodding? Earlier this year, KORG introduced the notion of their synth as extensible platform, by adding an SDK for their Prologue polysynth. The only question was, what would developers do with it – and now we get one answer.